Invoking the LazyWeb. I am trying to find this typeface:

It is not Bernhard Gothic, although it’s close. However, the “W” is stepped, like Burghley (although much more regular). I have a PDF with this typeface in it, and it’s identified as Malloy, but I cannot find Malloy on the Web.

I’m perfectly willing to pay for this, I just can’t find the damned thing.

Edit: found it myself; it’s Martin Gothic Bold. (And while I’m at it: ITC Garamond Book Condensed.)

• Posted by Bryant at 02:46 PM | Comments (4) | Followups (0)

The Got Milk? typeface is Phenix American. Looks like it needs a little kerning before it looks right, but that’s OK. Agfa will sell it to you for twenty-two bucks. I know I wanted this information for some reason, so I’ll just tuck it away here until I can remember why I wanted it.

Late edit: no, I will not send you the font. Someone spent a great deal of time creating the font, and if you want to use it you ought to pay for it.

• Posted by Bryant at 12:30 PM | Followups (0)

All Apple news sites are frantically clogged right now. Not a surprise. MacInTouch: Mac news, information and analysis has some news on the Apple announcement, and I’ve pieced together some more stuff from here and there.

Three new things:

1) New iPods. Yay, 30 GB iPod. Some kind of a docking station, too, which seems unnecessary but whatever. I actually like my Firewire cable that doubles as a power cable when I go mobile so a docking station might be a step back.

2) New iTunes. Supports AAC, which is I guess MPEG-4 audio. Five bucks says that change was so that Jobs could tell the music people that his new online music thingie wouldn’t support evil MP3s. The new iTunes supports Rendezvous for auto-discovery of other iTunes users on your network. I don’t know what that means either — auto-discovery is cool but what does iTunes do with it? Shared music libraries?

Also, the new iTunes supports streaming (“streams can’t be saved”). That’s very cool and steals a march on Microsoft. Hope that works across the Internet. Also hope it’s a stream that WinAmp can read. Anyhow, it’ll take maybe a month before someone figures out how to save the streams.

3) The iTunes Music Store. 99 cents a track, tracks are AAC, and you can burn ‘em to CD. Then you can rip your CD to MP3. Jobs blasted the subscription model, but you know, emusic.com is only ten bucks a month for unlimited downloads. Jobs better have a really good music library. Emusic has a deal with a lot of labels for their back catalogs, but it also has a substantial library of current indie labels. If Jobs neglected the offbeat stuff… well, maybe not so many people care about that.

Ah. What Jobs needs is a way for people to get their music into his service easily. If he did a deal with MP3.com, for example, that’d go a long way towards solving the problem. Ease of publishing entry is the key, and you’d think Jobs would know that — it’s certainly a pitch he’s been making since the LaserWriter. It’ll be interesting to see if he listens to himself.

• Posted by Bryant at 01:59 PM | Comments (2) | Followups (0)

Speaking of typefaces, I’m not quite sure how I feel about this.

• Posted by Bryant at 11:19 AM | Comments (2) | Followups (0)

daidala is another one of those cursed typographical blogs; lovely stuff, written by a man with a wise enthusiasm for the craft of typography. He points me at Bitstream’s Cambridge Collection. $200 for 200 fonts, none of them spectacular showy display fonts, most of them rather nice: that’s what I call a good deal. And the license is for five users! And it comes with a poster! And a Gill Sans clone in three weights!

• Posted by Bryant at 11:11 AM | Comments (0) | Followups (0)

I always go through this whole painful fifteen minute searching process when trying to find Nick’s Fonts. Phil’s Fonts has a place of precedence in my memory palace, so I invariably go there first after a bit of guessing. Philfonts? Philsfont? Philsfonts! Oh, wait, wrong site.

So now I’m logging it. Excellent, excellent source for art deco typefaces. I love his stuff. I want it all.

• Posted by Bryant at 08:28 AM | Comments (0) | Followups (0)

I have very fond memories of The Westing Game. Today, I stumbled across a link to an Ellen Raskin page of rare quality. Turns out she was a graphic designer and an illustrator as well.

The page includes scans of her original manuscript for The Westing Game and a pretty extensive discussion of her typesetting directions. Good reading. There’s also, of course, a bibliography and biography.

• Posted by Bryant at 02:23 PM | Comments (0) | Followups (0)

The director’s commentary for the Criterion edition of Traffic begins (literally) with a comment on the typeface used for the subtitles on the opening screen. Helvetica Light, because that’s what was used in All the President’s Men, for the record. How can I not love that particular bit of Soderbergh’s attention to detail?

(The transfer, by the by, is gorgeous. I really want a digital television one of these days.)

• Posted by Bryant at 05:36 PM | Comments (0) | Followups (0)

Not only do I dig typography, I dig the minute distinctions between various type families. Thus, I adore this discussion of twenty serif body text typefaces.

• Posted by Bryant at 09:45 PM | Comments (0) | Followups (0)

The day of typographical entries may never end, but I really like this site on writing systems. It includes both Klingon and Romulan. Good stuff.

• Posted by Bryant at 09:40 AM | Comments (0) | Followups (0)

The perils of finding a good typography blog is an entire morning spent on reading cool articles like the one I just found on the erotics of type. Might be one of those days. (Not worksafe.)

• Posted by Bryant at 08:51 AM | Comments (0) | Followups (0)

Every now and then I find one of those tasty indie fontdesigner sites and wind up spending half an hour downloading a bunch of free fonts and yeah.

“This font was started with the idea, “Make that cool ‘m’ that you see in magazines sometimes. Make a whole font out of it!!” So I did, and it was drab. Meanwhile, a new idea is creeping around. “Make it 2 lines thick, you love to make fonts like that!” So I did. Then, it was not so drab. I named this baby Supreme, because sometimes when you throw spectacular names on so-so fonts, people get all raged up to download them. But this font is not so-so, it is the most. You couple that with the name, and geez, you know what I’m talking about!!”

So Fontalicious is good and I should not forget about it. Like I’m ever going to use any of these. But so pretty!

• Posted by Bryant at 08:26 AM | Comments (0) | Followups (0)

I’m a total slut for typefaces, so I really couldn’t resist Behind the Typeface Presents: Cooper Black. It’s a big Flash file, around 3 megs, but IMHO well worth it. And actually kind of informative as well as being funny, since I find it interesting to think about how a hot design concept such as a typeface goes from fresh to overused.

• Posted by Bryant at 06:57 AM | Comments (1) | Followups (0)