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Month: July 2023

Fantasia 2023: A Wrap

July 30, 2023
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34 feature length movies and 12 shorts. Towards the end I was having a little bit of trouble connecting scenes into narratives so it’s probably just as well that my last two movies were a magic realism fable and a sociological essay. That was a very good time and I hope to do it again sooner than a decade from now.

Since I’m that kind of person, I made ranked lists for features and shorts. It was a pretty good year. Hippo is particularly good if you like thinking about conspiracies and cult dynamics and such. Baby Assassins 2 Babies has a martial arts fight scene that’s probably going to wind up in my top ten ever. I’m also particularly pleased that the Southeast Asian films I saw were more mature than some I’ve seen in previous years — it feels like the programmers have a solid handle on how to program the good stuff.

I’m a little bummed that I never found the Arrow Video booth, if in fact they had one. Vinegar Syndrome did but their releases aren’t quite as in sync with my tastes. I wanted to ask Arrow when their next Shaw Brothers set was coming out, too.

Gonna be a long flight back. Still all worth it.

Movie Reviews: 7/24/2023 to 7/30/2023

July 30, 2023
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Movies reviewed this week: The Fantastic Golem Affairs, Stay Online, The Primevals, Tiger Stripes, Paragon, Restore Point, In My Mother’s Skin, Good Condition, Lovely, Dark, and Deep, Rascals, If Footmen Tire You, What Will Horses Do?, The Burning Hell, A Chinese Ghost Story, Insomniacs After School, Femme, Devils, The Perfect Place to Cry, Blackout, Drumming Makes You Happy, The Becomers, Lollygag, Hippo, Baby Assassins 2 Babies, Every House is Haunted, Where the Devil Roams, Aporia, Pett Kata Shaw, River, Saint-Sacrifice, The Sacrifice Game, Ms. Apocalypse, School Girl, The Man Traveling with the Brocade Portrait, Kurayukaba, Home Invasion, Hellmark, With Love and a Major Organ, and Ms. Apocalypse.

Continue ReadingMovie Reviews: 7/24/2023 to 7/30/2023

Fantasia 2023: Halfway There

July 26, 2023
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We had eight days of movies scheduled; we have completed four days. Halfway mark! I am tired but very happy; our hotel continues to be perfectly positioned and the food’s still quite good. There’s this little counter service Chinese place next to the hotel which is unexpectedly tasty.

Highlights so far: Lovely, Dark, and Deep, which is some of the best cosmic horror I’ve seen in a while. Not Lovecraftian. It lays out the situation in the first fifteen minutes, so that as Georgina Campbell discovers the scope of the horror, we have the same retroactive realizations she does. Smart movie.

Also great: Talk To Me. The Philippou brothers may be YouTube bros but they’re good filmmakers who care about their craft, and their insight into teens being teens is strong. Very kinetic, certainly terrifying.

On the non-horror side of the fence, I greatly enjoyed The First Slam Dunk. I’m not a huge anime fan and I almost didn’t get tickets for this one, but I’m so glad I did. Director Takehiko Inoue really loves basketball, as I discovered afterwards, and it shows. I can’t think of any sports movies structured like this one — the climatic game is the spine of the movie, with flashbacks explaining how the characters got there — and it’s very cool.

We also learned something very important. If you’re doing back to back movies, you can tell the volunteers when you get out of the first one and they’ll shuffle you off into a little holding pen and you get seated first for the next one. I don’t care so much about my exact position in the theater but it’s nice to maximize sitting down time.

The in-room laundry is running. It’s crappy but it’s better than a laundromat.

Fantasia 2023

July 23, 2023
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It’s so good to be back.

Previously: 2004, 2006, 2015. So I guess this is my 20th anniversary Fantasia, which is unplanned but nice. I’d like to go more than once every ten years — remind me in 2028, right? We might have squeezed one in around 2020, but the pandemic.

View of a modernist college building with a line of people curved around the corner.

This year we’re staying in a Sonder hotel which is literally across the intersection from Théâtre Hall, the primary venue. Wait, I have a picture from our balcony. You couldn’t ask for a more convenient hotel. You could ask for a nicer one; Sonder is oriented towards cheap longer stays, so we’re getting a nice discount for staying a week but there are stains on the hallway carpet. Whatever. There’s a washer/dryer unit and a mini-kitchen in the room and a pool on the roof and we’re in the middle of everything.

It’s the morning of the second day right now. We’ve had two satisfying huge breakfasts, a good but slow Mediterranean lunch, a bunch of fast food dinners, and a lot of movies. Since Letterboxd exists, I’m not going to do separate write-ups here. They’ll come along with the Letterboxd mirroring in due time.

I may post longer rambling thoughts. I try not to write reactive reviews on Letterboxd, which means if I want to yell about holding Nicolas Cage accountable for his performances instead of just going “ooooh he was over the top,” I will do it here. Slightly unfair in this case since I think he was pretty good in Sympathy for the Devil, it’s just the movie itself which failed him.

Not that this is a problem. I always see at least one movie I adore here, usually not the one I expected to love, and there’s always a lot of crap. The experience is excellent nonetheless. It’s fun being at a festival where audience reaction is encouraged. There’s a tradition of “meows” before each movie, apparently thanks to Simon’s Cat. That quiets down when the credits roll. The audience roars at good action scenes; yesterday, in The First Slam Dunk, we cheered the basketball game like it was real. We come to this place —

Nah, can’t do it. But Fantasia is always going to be a second home for me.