Culture

Hey, so it turns out they do this new DVD thing every week. Whatta bonanza. Before I get started on talking about this week’s harvest, I wanted to mention that I picked up Delicious Library (original) over the weekend. It is awesome, although I would recommend carefully backing up your database regularly, since I lost a couple of titles in some sort of hiccup at some point. But man, is it awesome. I cataloged 360 DVDs (yeah, yeah, I know) in about two hours of lazy work. Cool stuff. ...

The Boston Globe has a good article (original) on the Berwick Research Institute’s BRI:AIR show. (Mentioned previously here.) If you don’t buy the Globe, though, you won’t get the stunning picture of my brother. Word to the wise. Speaking of which, he’s giving a lecture at Design Within Reach this Thursday at 7:00. The subject is studio furniture and designing for big box stores.

So, the legions ask, what should I be looking out for on DVD this week? Well, the Babe Family Double Feature DVD is out. I’d be a little leery of this, although I liked both the Babe movies — it appears to be one DVD, so picture quality may suffer. Still, a cheap way to get two good movies. DVD of the week is the Chariots of Fire Special Edition. It’s about time; this was previously only available in a full-screen version. It comes with commentary, screen tests, making of documentaries, deleted scenes, and so on. ...

If you’re into the Boston art scene, you might want to check out the Berwick Research Institute’s BRI:AIR, A Retrospective. I have somewhat of an ulterior motive in saying this, as my brother co-designed the exhibition, but I’ve been down to tbe BRI a few times and it’s always been interesting. It opens this Saturday and runs for about two months.

Looks like the Copley Place theater is closing (original). Can’t say I’m surprised, although I’m a little bit sorry. They were a lousy theater but they were also the best bet for second run art flicks in Boston. Not, mind you, that I got down there very often. It’s a pity, regardless.

The Oscar nominees have been announced. My reaction is, as usual, lukewarm. From the top (of the page): DiCaprio did not deserve a Best Actor nod. Jude Law might have. Bill Murray might also have, but I didn’t expect anything there — the Academy seemed unlikely to recognize his work twice in a row. You only get one quirky nomination per decade, or something. Paul Giamatti, however, is the big slight. What’s up with that? My choice would be Clint Eastwood, but if Giamatti had been nominated it’d have been a tough choice. ...

In the lobby of the Lowes Harvard Square today, while waiting for Million Dollar Baby, I saw the following two posters side-by-side, much like they are below if your browser window is quite large. Both these movies are distributed by Warner Brothers. They’re both comic book adaptations. They ought to both appeal to a similar audience. What are the execs at Warner Brothers thinking? This is why Marvel-based movies are on a fairly strong run, while DC-based movies are not.

$81.3 million was pretty close; it actually hit $85.85 million. Not too shabby, although still somewhat behind Spider-Man and the Harry Potter flicks.

Bill Condon’s next movie will apparently be Dreamgirls. I’m quite happy that I won’t have to wait another six years for his next. It’ll be a remake of the stage musical, which I know nothing about; the storyline isn’t terribly compelling to me. But hey, it’s Condon.

A while back I pointed to the University of California’s online academic text archive. Robin Laws put this to good use, discovering a collection of Hollywood screenwriter interviews. I’m gonna read just about all of those.