Culture

Nah, I don’t do these on a schedule or anything. James Fallows writes about word processors … in 1982. Paywall, sorry. Really good reminder of what computing used to be like. The Sol-20 he was using was a pretty important machine, historically speaking. Do you interact with other human beings on a regular basis in any way? Read this piece. It’s aimed at engineers but it’s good general advice, which I can summarize as “learn to write well.” You know how you can always find the rough spot on a floor by walking on it barefoot? People notice bad writing, spelling, and grammar even if they don’t know they notice it. ...

Previously… The song coverage is more varied than I’d thought. For example, Warren Zevon’s Excitable Boy has all three levels of coverage. “Johnny Strikes Up The Band” has line-by-line lyric tracking, “Roland the Headless Thompson Gunner” has no lyric tracking, and “Werewolves of London” has syllable-by-syllable lyric tracking. “Werewolves of London” is in the Sing: Classic Rock playlist, for what it’s worth. It seems more and more like the process that generates a Sing-compatible track is either manual, automatic but time-consuming, or costly in terms of licensing. Otherwise surely you’d want every album with a playlist song on it to be fully enabled, to give explorers like me the sense that there’s a ton of coverage?

I am not a karaoke aficionado, for the record; I just like singing loudly to the music of my childhood. So I updated my Apple devices today, as one does, and with the updates came Apple Music Sing. It’s pretty cool; like it says on the tin, for songs it works with, you can turn the vocals way down and the lyric display shows you where you are in the song – down to the syllable – and you can sing along. Nice. ...

I was writing this up elsewhere and I thought it’d be worth saving here too. This particular version is prompted by the release of the 2022 Sight and Sound poll results. The Master -- my favorite PTA. Is it the best? Easy to argue that one, but it’s messy and sprawling which I love, and it has my favorite actor of all time, who I still mourn. Tokyo Story -- what an incredibly heart-rending movie. The sadness lies in the stillness. It is as calm as The Master is messy. In the Mood for Love -- the greatest visual director of our time (I kindly assume he’ll make another movie some day) and two of the best actors I’ll ever see. Nostalgia. Coincidence. Sadness. Crash -- my favorite expression of Cronenberg’s thesis statement: mankind will evolve into something else some day and we’d best be ready for it. I love the chilly violence of the Toronto highways in this. Beau Travail -- not just for that final scene, although I will happily explain why Denis Lavant is remarkable for hours, just ask me, see if I won’t. If there’s a common theme to these first five movies (and there is), it’s desire. Claire Denis knows how to put desire on screen. The Third Man -- I swear I didn’t notice until I was making this post, but this list can be divided into arthouse and genre, and we’re now in the genre section. For a long time Casablanca was in this slot but The Third Man replaced it for me. Vienna as a haunted house. Brazil -- this is the movie that taught me there was more to life than the multiplex, and I still love it for the messy excess of it all, plus it’s about rebellion and I find that still resonates with me. The Big Sleep -- yeah, the plot makes no sense, but I’m not in it for the plot. I’m in it for Bogart and Bacall and a poisonous toxic Los Angeles and the snappy dialogue. And for Dorothy Malone. City of God -- did you hear about the time a couple of Brazilians took the pyrotechnic effects from The Matrix and the disjointed narrative that Tarantino didn’t invent anyhow and bent them to their whims to tell a story about their homes? It’s really good. Lawrence of Arabia -- I have been lucky enough to see this in 70mm on a high quality screen three times, and if I could only ever see one movie like that again it’d probably be this one again. For my money, there has never been a better epic. Those dunes. Holy Motors, Hiroshima Mon Amour, 8 1/2, The Bitter Tears of Petra von Kant, and Three Colors: Blue could very easily be on my top ten as well.

Sarah Polley haș some absolutely wonderful thoughts about making a movie ( Women Talking) with a mostly female crew. If you’re really fretful about assigning any behaviors to genders in particular, consider it as a piece about how much value there is in challenging norms. “They crafted a budget based on 10-hour days, shot in and near Toronto, so everybody could be home for bedtime.” Can’t wait to see this one. ...

In September 2022, the Criterion Channel added a British New Wave collection, which made me quite happy because I’d been interested in those movies ever since I listened to a Filmspotting series on the topic. Wow, back in 2008. I didn’t actually wind up watching any of those at the time, but 14 years later isn’t too bad, right? I’ve been watching them in order as the spirit moves me since September, and since a few of them are leaving at the end of November – Criterion Channel collections aren’t necessarily permanent – I got into higher gear and finally finished off the collection today. My capsule reviews are here. ...

Phew. No big Paxlovid bounce, thankfully. This is what I thought of when I heard about Tesla engineers coming over to validate Twitter code. It’s both true that the author seems pretty savvy and that the culture over at Tesla is focused on velocity over anything. Good times. Let’s get all the Twitter stuff out of the way! Evelyn Douek has smart things to say about Twitter’s regulatory challenges. Not just in the US, not just in the EU – India’s going to be a huge headache. This layoff guide for Twitter employees is worth reading for anyone who’s nervous about their job. Or anyone, really. Use your work laptop in a way which will enable you to execute on those precautions quickly. One billion dollars in infrastructure cuts? This is already working out badly (original). Sympathies to the guy who just went on call for a bunch of systems he doesn’t know. Gergley has a good thread on the problems ahead. Here’s another SRE still employed by Twitter, and he thinks it’s gonna be ugly. Rakyll is a well-respected principal engineer in the reliability biz; she’s pessimistic (original) and thinks people are leaving. Tangentially related: Starlink is inevitably having to throttle bandwidth. Some math: Starlink wants $5K/month for 2 terminals with a total of 350 Mbps download. That’s cheap and cool but the existing mobile solutions can deliver bandwidth in the Gbps range. OK, that’s enough horrified observation of the train wreck. Mastodon is treating me OK so far. ...

Only one actor who appears in more than one of these movies, just sayin'. (My new posting habit has been interrupted by a case of covid. Doing fine, just not too bright right now.)

The format of these is likely to change, but I do need someplace besides Twitter to dump random thoughts. We’ll see how this works. Thanks are owed to my pal Ginger for demonstrating the value of this sort of thing. If you like music, Elizabeth Nelson’s piece on Marquee Moon is a must read. It’s such a perfect album made in such weird, imperfect circumstances. I learned not too long ago that those two “pantheonic instrumentalists of the 20th century” she mentions finally united on Matthew Sweet’s great three albums of the 1990s, starting with Girlfriend. Assuming that she meant Richard Lloyd as the first. It’s also worth checking out her band, Paranoid Style, which is as one might expect from the name. ...

Or: ”A Lyric Scenario for The Yellow King RPG” Gather no more than three people. Watch Last Year in Marienbad together in silence. Select characters from those depicted in the movie. Discuss your motivations, remaining in character. It is unnecessary to agree on the facts of the fiction. If there is disagreement on motivations, play Nim to resolve them. “It’s a stupid game.” “There’s a trick.” “Just take an odd number.” “There must be rules.” ...