Culture

It’s about time we got a mass market pop culture version of the Jack Parsons story. Ridley Scott produces. Ben Wheatley directed an episode. This will cause me to buy CBS All Access; the trailer is everything. Rupert Friend appears to be playing a fictionalized character, so I’m curious about that. Based on John Baxter, maybe? From a quick glance at IMDB I don’t see a lot of real historical figures, so maybe they’re fuzzing all the real names. Either way I cannot wait to start watching this.

Susan and I visited a whole bunch of bookstores on Saturday. Seattle goes all out for Independent Bookstore Day -- 19 participating indie bookstores run this program where you get a passport and get stamps at each participating store and if you get to all the stores in one day, you get 25% off purchases for the next year. Last year we missed it. This year it was a priority. It involved two ferries, ten hours of driving, and a lot of cookbooks. This… is our story.

Hey look, Richard Thompson is writing an autobiography! This is stupendously exciting to me, particularly since he’s apparently going to focus on the late 60s and early 70s. Nothing against his prodigious and high quality output subsequent to those years, but that was the period of tumultuous change. I am curious to see what he has to say. I assume that Scott Timberg is doing the heavy lifting on the writing. I don’t know his work but he has a blog. He says “Few living musicians fascinate me as much as Richard Thompson” in a brief blog entry which links to a longer chewy interview. Getting Thompson to open up on the process of learning Classical Greek is kind of cool. I am optimistic. ...

Now it can finally be told: up till 2018, I hadn’t successfully read a Le Carré novel. I know this is awful. I love espionage thrillers, I love conspiratorial stuff, and I love great prose. Failing at Le Carré is a major hole in my cultural education. I have no idea what the blocker was. It’s not like I didn’t try often enough. But the other week I read a review of Our Kind of Traitor and something about the topicality of a Russian vor looking to defect intrigued me, so I picked up yet another Le Carré book and gave it a swing. It was awesome. There’s lots of tension, it moves quickly, and the characterization is great. This is undoubtedly true of everything the man wrote, but this novel hooked me. Maybe because there’s less mystery? I wasn’t sure who was getting manipulated by who till a fairly late stage, but it’s not the kind of subtle obfuscated mystery that we get in the Karla trilogy. Either way I loved it. Bonus points for a cynical conclusion. ...

My friend Pongo wrote an artist’s statement about Ingress. She speaks truth: I have worked with Pongo for over a year now and her ability to infuse the canvas of the game with story is inherently artistic. I play for different reasons than she does. I’ve been coordinating the actions of teams for 20 years now, at first on AmberMUSH but soon thereafter in my professional career. I’m good at it. Ingress is a difficult but satisfying instance of that task, in a framework that requires me to think on several different layers (people, logistics, tactics, and on occasion grand strategy). ...

I’ve bought into the Apple ecosystem, so obviously. In the interests of testing the scope of music available, I travelled back to the best music critic on the Internet, glenn mcdonald. His final formal music review post is an eloquent exploration of the best music of 2012, ranging from Taylor Swift to European avant garde death metal. It finishes up with a Ylvis song, years before you wondered what the fox says. Bona fides enough. ...

The Hugo Awards have very few nominators and no barrier to entry to becoming a nominator other than money, which creates room for an engaged fan base to get just about anything on the ballot. This is not news. We’ve seen Doctor Who dominate the short-form dramatic presentation ballot for half a decade. We’ve also seen an acceptance speech get nominated for short-form dramatic presentation. That went relatively well because people liked the guy who gave the speech. This year, unlikeable people got nominated. ...

In Filmspotting’s most recent episode, the hosts went through their top five directors whose movies you’d want on a desert island (original). In other words, if you were stuck on a desert island with a TV and a DVD player, which five directors’ complete works would you want? This is a fun game and an interesting twist so I played along. On the whole I was closer to David Gordon Green’s choices than to those of the hosts. He’s not listed at the link above, but he chose John Landis, Alan Parker, Robert Altman, John Ford, and Stanley Kubrick. I think Alan Parker in particular is a brilliant choice. ...

This probably isn’t the result of his recent exposure on HBO, but he’s directing another teen comedy! I am irrationally excited and will remain so regardless of further news.

Well, nah, but this does give me a pleasing frisson down the spine. For those of us who are not obsessive fans of Sorkin’s early (or even his later) work, Josh Charles played Dan Rydell on Sports Night as inspired by Keith Olbermann. Thus, putting them together on Olbermann’s current show is funny. Or it was funny before I explained it. Maybe I should have skipped that bit. “You think?” ...