Hulu has the full run of Coupling (original); the British version, not the really bad American remake. Steven Moffat of Doctor Who current fame was the show’s creator, plus you’ve got Jack Davenport and Gina Bellman in every episode. You’ve sort of got to like sitcoms about people who are not entirely angelic, but it’s kind of sweet too.
Short shameful confession: I’m kind of enjoying the hell out of the Horus Heresy books. Of course this is only because Dan Abnett is quite a competent writer and so on, but excuses aside, big serious people in powered armor are marching across the galaxy and falling to corruption one by one! I have never taken pleasure out of a Warhammer 40K Space Marine book before. Nom nom nom.
We recently cut the cable cord. It turns out that you can get an HD antennae that feeds a Tivo well enough, and that covers anything on Fox, NBC, CBS, ABC, and CW. AMC is the big exception, but it’s cheaper to buy the episodes on iTunes than it would be to maintain the cable bill. I was gonna get HBO in the spring to watch Game of Thrones, and HBO does not do downloads for non-subscribers, but c’est la vie. Also I lose a lot of the NBA playoffs. Thankfully there are sports bars. Anyway, for the sake of the decision-making process I thought hard about what I actually watch.
Two interesting ebook questions: when will publishers get around to releasing the backlist as ebooks, and who will be the quality gatekeepers in a world of self-publishing? You may think the second question is a moot point, and can be answered by some form of collective criticism, aka Metafilter, but I’m going to throw out some relevant news anyhow. As I understand it, part of the problem with the first question is that publishers don’t own the ebook rights to their backlist. It wasn’t part of the standard contract back in the dark ages of the 1980s and 1990s and 2000s. This means authors can do it themselves, if they like. Please take a moment to read this post from John Scalzi before continuing. ...
John Woo’s new movie, Red Cliff, will be hitting US soil on November 20th. If you are a die-hard John Woo fan, you’ll see it. If you’re a John Woo fan who’s been disappointed by such cinematic masterpieces as Paycheck, you should see it: all reports are that he’s back to form. If you’re not a John Woo fan but you like big historical epics, you should see it. Everyone else: also see it. ...
The Polanski petition doesn’t really cut it. I get the argument – that film festivals should be safe zones, because if you have a blanket policy of extradition then filmmakers from totalitarian regimes aren’t safe there. But no. This is not about free speech, this is about rape. It’s reasonable to make the distinction between types of crime; we do not need to protect rapists for the sake of protecting free speech.
I woke up this morning thinking about FlashForward. (Jack Davenport, so big awesome potential. Susan notes concern that the show has absorbed all the British character actors, however, which could lead to a shortage over in the UK.) So I wanted to read some discussion on it, and I wound up missing Usenet. Back in the day you could just go read the television newsgroup or the alt.tv.flashforward newsgroup and you’d get your fix of cranky geeks expressing poorly-formed opinions about new shows. These days, where do I go? I guess TWoP (original). ...
I finally coax eMusic into letting me download the bonus tracks from the new Matthew Sweet and Susanna Hoffs. “Marquee Moon” is one of the songs. That’s most of why I wanted them. I play it. For a moment I’m worried that my headphones are broken, as the guitar is isolated in my left ear. Then the rest of the music comes in to the right, echoing through my skull. Two guitars twine back and forth like snakes kissing. It is abbreviated, terse. Every time the chorus occurs, the notes extend out, bridging across austerity with sudden melody. Tom Verlaine and Richard Lloyd alternate solos… wait. ...
If you aren’t watching it, you might want to catch up. The characterization has improved remarkably, and as of the end of the season the plot is equally enjoyable. We’ve taken a heavy turn into the SF. Also, Brad Anderson is producing and directing a bunch of episodes, and he is one creepy director. Spoilers follow in the form of transcribed newspaper headlines, cause we couldn’t resist freeze framing.
Even after downloading and playing this I’m still substantially surprised that Richard Thompson found his way onto Rock Band. But it’s awesome! The fan reaction has also been pretty gratifying. There’s a lot of “it started badly but then I got to the solo, whoa.” It’s weird realizing that this track has the potential to be the top selling Thompson song ever. My favorite comment on the video: “Is all of that solo really played on a guitar though? Man, I wish mine sounded like that. ;P”