Belatedly: yes, Kill Bill: Volume 2 is a big fat pile of talkative fun. It is not as violence-packed as Volume 1, but it is certainly a tale of bloody revenge and the fight scenes are top-notch. Tarantino’s obsessed with flashbacks and non-linear storytelling, right? So Volume 1 is the action, and Volume 2 is a kind of weird metaflashback that goes back over all the violent impulses and actions of the first volume and explains the motivations behind them. ...
I didn’t like Five Deadly Venoms as much as I thought I would. The kung fu was awesome, particularly the final battle, which provided a suitable climax to the movie. The DVD transfer was, again, superb. The story didn’t really grab me, though. I think in retrospect I was expecting big kung fu action with all five Venoms from the first minute, which is not what I got. Instead, I got a somewhat complex mystery, and I wasn’t quite in the mood for that. It was a pretty good mystery, and I only figured out who was who five minutes before the revelation. Also, I’ve realized that I like the big sweeping epics like Water Margin better than the close-focus kung fu flicks, on average. ...
Poppy Z. Brite’s new book, Liquor, is a pretty huge change of direction from her early work. It’s not horror, it’s not gory, and it’s not the work of a writer fascinated by young gay men in New Orleans… Strike that last; maybe it’s not such a huge change. Still, no vampires or other creepy-crawlies. It’s a foodie novel set in New Orleans, and it’s well-written, so it’s pretty much perfect for people who love cooking. I wouldn’t call it terribly deep but I enjoyed it. Her husband is a cook, and she’s got the feel of the restaurant world down pat as far as I can tell based on the summers I spent running dishwashers on Nantucket. ...
Yeah, so Hellboy. The more I think about it, the more I think it’s a great adaptation of the comics. It’s by no means a great action movie — it’s a good one, but not great. But the comics aren’t great comics, either; they’re just (just?) very very entertaining pulp. Hellboy is exactly that. Also, del Toro infuses the movie with some of the best Lovecraftian feel since Dagon. The monster design is great, the villain design is great, it’s all great. I loved the tentacles. The movie looks just about perfect. Likewise, Ron Perlman is ideal for his role. ...
Water Margin rocks out, as expected. I got a particular kick out of it because I know Ti Lung from A Better Tomorrow, and it’s funky watching a younger version. Others may recognize Tiger Tanaka from You Only Live Twice as Master Lu, the focus of the plot. But probably not cause he’s decked out in full old master regalia. Anyway, it’s all kinds of epic but a little disjointed, which is not surprising considering that it’s just a few chapters of the vast novel Outlaws of the Water Margin. It’s easy enough to follow if you don’t mind all the seemingly marginal characters running around — it’s not that they’re unimportant to the saga, it’s that they don’t do as much in this segment. In some ways this was an excuse to put all the Shaw Brothers stars together in one movie. ...
You either like Charlie Kaufman movies or you don’t, and if you do, you’re already going to see Eternal Sunshine of the Spotless Mind, so no big review here. It’s in the top half of Kaufman films for me. OK, OK. Better than Human Nature and Adaptation, and on a par with Being John Malkovich. Confessions of a Dangerous Mind I sort of put off on the side because it’s a different beast. I thought it was completely comprehensible. The narrative wasn’t particularly chronological on one level, but on another level it was mostly linear, albeit with one big giant flashback in the middle. It’s all well and good to talk about how messed up a narrative is, but you’d think some people had never read any time travel stories… ...
[That was odd. Sorry about that.] I rarely have many objections to Mamet, or for that matter to Val Kilmer. Keep that in mind. Still and all, Spartan measured up. Twice I saw the wires on which the god was lowered from the machine, but the tense taut moments more than carried me through. And who knew Mamet could direct an action movie? It is an action movie. It’s also a spy movie. ...
Cory Doctorow’s Eastern Standard Tribe is out. He’s made it available on the Web under a Creative Commons license again, so you can always download it and read it if you aren’t sure about buying it in the store. This one didn’t work so well for me. As an extrapolation of current cultural trends, I can’t make it dovetail. Doctorow gets the tribal aspect of Internet culture right — we do form tribes across the time zones, driven by our own interests — but I’ve never ever seen a tribe form around a specific time zone. In fact, part of the attraction of the Internet tribe is the knowledge that whenever you log onto the MUD — hit the IRC channel — visit the bulletin board — fire up AIM — whatever — someone will be there. Part of the attraction is that the Internet is always on. Time is irrelevant. ...
I’m not a big reality show guy, although I watched the first couple seasons of Tough Enough. However, my TiVo enables all kinds of degenerate behavior, including reality TV addiction, so I figured I’d watch a couple of episodes of The Apprentice. The basic setup is simple; Donald Trump brings in 8 men and 8 women to compete for a job with him. They split up into two teams, men versus women, and every week they have a different competition. At the end of each show, Trump fires someone from the losing team. ...