If you are a mad Aimee Mann fan like myself, you will want to know two things: first, that she has made a concept album and it is available for pre-order beginning March 9th for delivery beginning May 3rd. March 9th is tomorrow, not today, no matter how often I check the date on my computer. Second, the first three songs on the album are available for streaming on her website (original). ...

In Good Company is not actually a comedy. Easy to be fooled, considering that it was marketed as one. Really, though, it’s a light drama about a hotshot young executive who’s risen too quickly for his own good. I wouldn’t represent it as deep, or anything, but it’s charming and — here and there — touching. There’s a kind of division of responsibility going on. Topher Grace is the guy who gets character development; he’s the wunderkind who becomes Dennis Quaid’s boss when Sports America is purchased by a big megacorp. He gets to find out what it means to be an adult. Dennis Quaid is the guy who gets to act, which perhaps was not the intention of the director, but he does have the harder job. Topher is supposed to be callow, a bit shallow, and he spends a lot of the movie putting on a game face despite being terrified. The plot falls apart if Dennis Quaid can’t be angry at Topher while coming to care about him. Fortunately, Quaid turns in one of those excellent worn performances he’s capable of doing when he puts his mind to it, and thus grounds the film. ...

Day 34: Still no government in Iraq. The problem remains the same as it was the day after the election results were announced; the United Iraqi Alliance doesn’t have a 2/3rds majority by itself, the Kurds aren’t willing to form a coalition unless they get Kirkuk, and Allawi’s faction isn’t big enough to form a majority with the Kurds. Allawi has been pressuring the UIA in an effort to pull away enough votes to get a majority. Sistani, who backs the UIA, is lobbying against that (original) and will probably succeed in holding the line. The Kurds are claiming their issue is with the possibility of an Islamic state; this is a problem for them but Kirkuk is really the key bargaining point. ...

Truth be told (and that’s really kind of the point, isn’t it?), Hunter S. Thompson stopped writing well sometime in the 70s. It doesn’t matter. Even if you discount The Great Shark Hunt, which I personally wouldn’t, you’ve got a legacy the likes of which we don’t see often. Hell. It says enough about him to say that he was so dominant, so powerful, that (despite Tom Wolfe and George Plimpton) he birthed and killed gonzo. If you write like he wrote, you’re an imitator, and who thinks of gonzo journalism as anything else but writing in his style? ...

On the other hand, Scalia’s further comments on the display of the Ten Commandments are wrongheaded (original). His appeal to majority opinion is not only Constitutionally unsound — there is no question that the Constitution establishes the country and the laws thereof based upon the consent of the governed, and a strict constructionalist should not assert that the Constitution and our laws are derived from God — but poorly argued (original). He says “The minority should be tolerant of the majority expressing its belief that this government comes from God.” Perhaps so, but the government is not an instrument to express majority views. The majority of the country voted Republican in this last election; that does not mean the government is empowered to place displays extolling the virtues of the Republican Party in courthouses. ...

Helpful hint to the legions of Democratic strategists who read this (I hear I’ve got a huge following in — no, wait, that was my stomach rumbling): When Scalia says that there’s no material difference between legislative proclamations invoking God’s name and putting up the Ten Commandments, he’s (intentionally or not) setting up a trap. He’s absolutely correct, too. I’ve written about this before; Cambridge City Hall has a keystone which explains that the Commandments are the source of the law and which is just as religious as anything Roy Moore did. ...

Speaking of Oscar nominations, here’s the stupidest thing I’ve read today (original): But here’s an interesting dog that isn’t barking… Michael Moore gets passed over for the big award he coveted… and the lefty bloggers aren’t up in arms. In fact, nobody on the left is talking about Moore today. I still strongly believe that no blogger is obligated to write about any topic, but I just find it interesting that web personalities who one would think would be big Michael Moore fans are collectively shrugging their shoulders over this. You know a lot of Christian conservatives are grumbling about the three nominations in technical categories for “The Passion of the Christ,” and Kathryn’s already noted this on the Corner. ...

First off, if you want links to everything, check out the IMDB Oscars page (original). Second off, Defamer claims they’ll be liveblogging as well. Chances are the snark quality will be somewhat higher over there.

Souvenir Press is reprinting the Modesty Blaise books, but they’re in no particular hurry about it. For my own notes: Haves Sabre-Tooth (1966) I, Lucifer (1967) A Taste for Death (1969) The Impossible Virgin (1971) The Silver Mistress (1973) Last Day in Limbo (1976) Dragon’s Claw (1978) The Xanadu Talisman (1981) Have Nots Modesty Blaise (1965) Pieces of Modesty (short stories) (1972) The Night of Morningstar (1982) Dead Man’s Handle (1985) Cobra Trap (1996)

It would be unkind to assume that the choice of water as a metaphor for magic in Constantine was made so as to enable multiple shots of Rachel Weisz preparing for a wet dress shirt contest. Unkind, but probably accurate. On the other hand, the cheesecake was balanced by the way the movie handled the sexual dynamic between her and Keanu. You win some and you lose some, which rather summarizes the entire experience. ...