Green Ronin’s new Black Company worldbook makes me want to run a five session game during which the PCs lose. Gritty fantasy, city under siege, that sort of thing. What can you do before you die?

If you happen to live in Boston and you’re that kind of obsessive, the Brattle Theater is showing the Lord of the Rings trilogy back to back to back on Sunday, January 2nd and Monday, January 3rd. Starting on the 7th, they’re reviewing some of the best movies of 2004, including Last Life In The Universe on the 7th, Takeshi’s Kitano’s Zatoichi on the 8th, and Goodbye, Dragon Inn on the 11th. Plus a lot of other good stuff. I’ve gotta make it to Before Sunset, myself. ...

While it’s still fresh in my mind, and because I want to be an early adopter as far as observations on the Buckaroo Banzai homage go: The Life Aquatic with Steve Zissou. Wes Anderson comes from Houston. That makes Bottle Rocket a small jump, just a skip into the air and thump back down onto the pavement. Rushmore is more ambitious; it’s set in a world far away from Texas. But Wes Anderson did go to a Texan prep school (original). Not a huge leap. The Royal Tenenbaums? Now we’re talking; sure, it’s still in New York, but it’s further up, further separated from the world in which we live. ...

Some of the links are meaningful, some are tongue in cheek, and some are reaches. It’s my favorite Christmas song (original). Merry Christmas, y’all. _It was Christmas Eve (original), babe _ _In the drunk tank (original) _ _An old man said to me, won’t see another one _ _And then he sang a song (original) The Rare Old Mountain Dew (original) _ _And I turned my face away (original) _ And dreamed about you _Got on a lucky one (original) _ _Came in eighteen to one _ _I’ve got a feeling This year’s (original) for me and you _ _So happy Christmas I love you baby (original) _ _I can see a better time _ When all our dreams come true ...

I never link to viral marketing, at least not on purpose. (What, never? Well, hardly ever.) But. Happy Chrismahanukwanzakah to you.

There’s a montage in Blade: Trinity during which Jessica Biel and Wesley Snipes go out hunting for information. It’s really skillfully handled, with nimble wipes and split-screens and it conveys a lot of action in a very short amount of time. Truly, it’s one of the better montages I’ve seen in a while. It is not the coolest thing Jessica Biel does in the movie. In her other fight scenes, she emotes in a way we don’t see often enough in action movies. She frowns in concentration, she grins to herself when she does something cool, she gets worried when her opponents are bigger than she is. It grounds her fights in reality, because she’s acting like they’re real efforts. I liked that a lot. ...

You know, for about the first half an hour or so I didn’t think I was going to like Garden State. Natalie Portman was doing such a great job of playing Sam, who was being a terribly annoying character. No, thought I, please no, please do not try to make me cheer for a relationship between this person and the affable Zach Braff, whom I am becoming fond of both for his portrayal of this Andrew Largeman and for his deft touch with suburban absurdism. I was saddened, because she was grating on me something fierce. I have little room in my heart for anyone who believes being cute excuses being obnoxious. ...

“Imagine a great metropolis covering hundreds of square miles. Once a vital component in a national economy, this sprawling urban environment is now a vast collection of blighted buildings, an immense petri dish of both ancient and new diseases, a territory where the rule of law has long been replaced by near anarchy in which the only security available is that which is attained through brute power. Such cities have been routinely imagined in apocalyptic movies and in certain science-fiction genres, where they are often portrayed as gigantic versions of T. S. Eliot’s Rat’s Alley. Yet this city would still be globally connected. It would possess at least a modicum of commercial linkages, and some of its inhabitants would have access to the world’s most modern communication and computing technologies. It would, in effect, be a feral city.” ...

“I used to be a contractor for Apple, working on a secret project. Unfortunately, the computer we were building never saw the light of day. The project was so plagued by politics and ego that when the engineers requested technical oversight, our manager hired a psychologist instead. In August 1993, the project was canceled. A year of my work evaporated, my contract ended, and I was unemployed. “I was frustrated by all the wasted effort, so I decided to uncancel my small part of the project. I had been paid to do a job, and I wanted to finish it. My electronic badge still opened Apple’s doors, so I just kept showing up.” ...

A while back I urged San Franciscans to help save the 4 Star. Everything worked out (original); the San Francisco Board of Supervisors passed an ordinance stating that you can’t demolish or change the use of a movie theater as long as that theater is economically viable. This is a horrendous intrusion into the economic sphere and I should abhor it. But, you know, the Four Star is gonna show Dark Water soon and I can’t find it in me to object to a law that makes sure that kind of thing will continue to happen.