As per this news. The novel is titled Anathem, and the blurb follows: Since childhood, Raz has lived behind the walls of a 3,400-year-old monastery, a sanctuary for scientists, philosophers, and mathematicians – sealed off from the illiterate, irrational, unpredictable “saecular” world that is plagued by recurring cycles of booms and busts, world wars and climate change. Until the day that a higher power, driven by fear, decides that only these cloistered scholars have the abilities to avert an impending catastrophe. And, one by one, Raz and his cohorts are summoned forth without warning into the Unknown. ...

Peter Berg is directing a Dune adaptation (original). Well, that’s a thing. I haven’t seen any of his movies… no, wait, I saw The Rundown, which was mildly amusing. Possibly thanks to the Walken. Maybe they’ll cast Walken as De Vries, and Dwayne Johnson as Duncan Idaho, and Seann William Scott as Feyd-Rautha? Nah, I don’t like where that went either.

Not the sole creator of D&D, not the most important figure in the industry, but sine qua non. The original report is here (original). Troll Lords was his current publisher, so this is very unlikely to be a hoax. There’s also confirmation here. Sad news.

15 movies, 15 quotes, no Googling. The last few answers have been supplied.

This is the coolest graph I’ve seen in a while. It’s a picture of box office grosses per movie over time, from 1986 to the present day. Very clever. You can see the evolution of the summer blockbuster, not to mention the winter blockbuster trend.

It’s harder reviewing the really, really good movies. What more are you going to say about There Will Be Blood? Yeah, Daniel Day-Lewis was awesome, and Paul Dano was too. The soundtrack was terribly cool – I didn’t read it as a horror movie soundtrack so much as I took it to be a parallel narrative of the industrialization of the United States. It groaned and crashed and squealed like machinery. Lovely. ...

And the WGA more or less won. (original) It’s been really interesting to watch; this is the first US strike I’m aware of in which the PR battle was fought on blogs. And when you get right down to it, the writers make a living writing persuasive prose, so it’s not entirely surprising that the PR went well. On the other hand, it’s also the case that this strike didn’t affect the majority of the public in the way that, say, a garbage collection strike does. That helped PR too. ...

I’m thinking about a long essay on Johnny Depp’s trilogy of food movies: Chocolat, Charlie and the Chocolate Factory, and of course Sweeney Todd. No? What’s Eating Gilbert Grape?

Stop hurting America! (original) Michael Bay’s production company is working on remakes of: Nightmare on Elm Street Friday the 13th Near Dark The Birds Near Dark was just fine the way it was. Grrr. Who the hell is Samuel Bayer? I suppose I’m upset about Hitchcock remakes too. I’m not really upset about Friday the 13th, though.

I’ve seen a few critics recommending minimal knowledge of Cloverfield going into the movie, and I think that’s right. It’s also a sign that it’s a gimmick movie. That’s not a pejorative, since there’s nothing wrong with gimmick movies, but you always have to ask: does the gimmick contribute to the story? In this case, since the story’s more about how people react to the giant monster eating New York City than it is about the monster, I think the answer’s yes. To the degree that Cloverfield doesn’t succeed, it’s not any fault of the found footage conceit. Rather, it’s that the characters aren’t all that interesting, excepting our primary cameraman Hud. They aren’t boring, per se. I cheered for them. I just wouldn’t have been cheering if it hadn’t been a monster movie. ...