Questions came first.
Is it a pale shadow of Infernal Affairs? Will Scorsese have the guts to sail to the wind and let the bleakness blow through him? Will Nicholson be too much? Will DiCaprio be enough? Can Scorsese make it tight enough for us to feel the pain?
Is it Boston?
Yeah, it’s Boston.
The original was a tense, restrained exercise in suspense and pain. It was good, or better than good. The Departed takes the plot — the same lines, in places — and spills it out on a canvas made of Boston’s racial tensions and class divisions. It’s an equal to its predecessor through an alchemical transformation of mood, theme, and locale. William Monahan is from Boston. He was born ten years before me, which means he grew up watching South Boston riot when black kids showed up at their schools. That’s where the movie opens; that’s where it’s from.
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