Smooch & kill
Shane Black wrote Lethal Weapon, The Last Boy Scout, Last Action Hero, and The Long Kiss Goodnight. That’s a pretty good pedigree. Kiss Kiss Bang Bang is his first directorial effort, and it’s sorta Last Action Hero as an semi-indie crime flick. (Warner Brothers distributed it, so not really indie, but you know.) It’s packed precisely full enough with metasnark. Any more snarkiness, and the schtick would be tiresome. Any less snark, and we might notice that the plot is about as thin as they get. (Which, in all fairness, is no doubt intentional — the whole movie is a deliberate self-referential homage to bad pulp detective novels.) The meta, the breaking of the fourth wall, works because it serves characterization: Robert Downey Jr.’s voice over is not constantly present, and it’s a device to bring his personality to the forefront, so that’s all right. ...