Pressing the red one
Are you playing Button Men (original) — online (original)? Why the heck not? It’s free.
Are you playing Button Men (original) — online (original)? Why the heck not? It’s free.
If you happened to read Global Frequency this week, you might be interested to hear that Le Parkour is not something Warren Ellis made up — it’s a real little urban subculture, originating in France but spreading to England, Russia (original), and no doubt other places. If you didn’t read Global Frequency, Le Parkour is a sort of extreme athletic activity that involves doing incredibly foolhardy things on rooftops without a net. If you’ve seen those Nike commercials (original), that’s Le Parkour. And of course Luc Besson’s gotten his hands into it. Cool looking stuff.
In my Episode III, Palpatine’s temptation of Anakin is mirrored by Count Dooku’s struggle with his own desire for redemption. As Palpatine is to young Anakin, so Yoda is to his best student, Count Dooku. Count Dooku is the man he pretended to be in Episode II. The movie has a tighter focus: Obi-Wan and Anakin pursuing Dooku against the backdrop of the Clone Wars. (None of this nigh-instantaneous transport between star systems.) This, too, is a mirror: this time we’re reflecting the pursuit of Luke and Leia. Dooku moves from system to system, just ahead of the Jedi, directing his grand strategy from behind the scenes. He is still Palpatine’s creature; the Clone Wars are still orchestrated. But he has potential. ...
Take one on a possible Fantasia schedule. Times are rough and not completely accurate. The 5:20 Sunday slot is probably a rest slot, since my tolerance for goofy doesn’t necessarily extend to bad Turkish movies… although damn. Tempting. Note that I’m also assuming a Thursday arrival, since I’m thinking about that, but the two Thursday movies aren’t essential. 7/21 7:30 El Lobo (original) 9:30 Ghost House 7/22 5:00 All Babes Want To Kill Me (original) ...
[The following is a note to myself. Really.] The telegram says this: Telluric ectoplasm projector discovered STOP Located in San Francisco STOP Controls still mysterious STOP Daring agents needed STOP Come at once STOP The Zatarin Agency is located in the basement of a townhouse in San Francisco’s Noe Valley. Above it is the Zatarin Floral Service, and above that is Paul Zatarin’s residence. Mr. Zatarin is a moral man and a first generation immigrant who is immensely proud of his adopted country. As such, when he discovered the telluric ectoplasm projector in the basement, he immediately wired Max Mercer for advice. ...
Charlie Stross’ new novel slash collection of short stories is about to be out in stores in the US. It’s also available as a free download (original). Why wait? But do buy as well if you like it.
Mark Cuban isn’t the only guy experimenting with releasing DVDs on the day the movie hits theaters (original). I betcha none of the exhibitors are going to threaten not to show this movie, though.
Blah. To my infinite annoyance (and resigned acceptance), I find that I am unable to attend FanTasia this year in the manner I had hoped. We have a product launch the second week of the festival, and I can neither be out the week before that launch or the week after. I may be able to make a long weekend of it again. I’m a touch dejected just now. We’ll see what the schedule looks like.
One of the annoying things about being a wrestling fan is the difficulty of watching the classics. Wrestling is meant to be entertainment, right? What kind of entertainment makes it so difficult to see the old stuff? (Well, comics, but that’s another rant.) There are just insane amounts of really good footage locked up in Vince McMahon’s vaults, and most of it never emerges. Here and there a Ric Flair match, here and there some old Hogan stuff, but never any classic wrestling for the sake of classic wrestling. ...
Hey, look, A Feast for Crows is done (original). By which we mean that the massively huge tome Martin was writing has been split into two parts, geographically, due to the physical limits of book side. The first part is complete and going into production. Well, hey, I’ll take that.