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“I used to be a contractor for Apple, working on a secret project. Unfortunately, the computer we were building never saw the light of day. The project was so plagued by politics and ego that when the engineers requested technical oversight, our manager hired a psychologist instead. In August 1993, the project was canceled. A year of my work evaporated, my contract ended, and I was unemployed. “I was frustrated by all the wasted effort, so I decided to uncancel my small part of the project. I had been paid to do a job, and I wanted to finish it. My electronic badge still opened Apple’s doors, so I just kept showing up.” ...

A while back I urged San Franciscans to help save the 4 Star. Everything worked out (original); the San Francisco Board of Supervisors passed an ordinance stating that you can’t demolish or change the use of a movie theater as long as that theater is economically viable. This is a horrendous intrusion into the economic sphere and I should abhor it. But, you know, the Four Star is gonna show Dark Water soon and I can’t find it in me to object to a law that makes sure that kind of thing will continue to happen.

For your periodic amusement, if you like weird movie posters, there is this page. Which can also be sucked down as an RSS feed if you like. The cool thing, and I can do this because I have a Mac, is that all I gotta do to upload a picture is drop it into a certain folder and BAM there it is on the Intraweb. 2022-05-30: that link was lost at some point during all the Flickr transitions. C’est la vie.

I’m kind of thinking that the Sacred Pentacle of 80s Rock is made up of U2, REM, X, Husker Du, and Metallica. The Arena, the Alternative, the Punk, the Hardcore, and the Metal. But everyone flirts with everyone.

Kinji Fukasaku is infamous in the United States for Battle Royale, a painfully cynical Lord of the Flies turned up to eleven. Among the actors in that movie, we find Chiaki Kuriyama, who later appeared in Kill Bill: Volume 1. Tarantino’s grindhouse epic draws strongly on Kinji Fukasaku’s Yakuza Papers, a series of five movies which begins with Battles Without Honor and Humanity — which, of course, is the title to the Tomoyasu Hotei song on the Kill Bill soundtrack. No mistake, that. Despite this circular dance of interconnections, the IMDB page listing movie links for Kill Bill does not list Battles Without Honor and Humanity as of this moment. Such is the fallibility of voluntarily edited databases. ...

If you believe in curtailing the civil liberties of Muslim-Americans, you’re not alone (original). In some ways I’m encouraged by these numbers; only 22% of those polled approved of racial profiling. I would have guessed that percentage would be higher. On the other hand, 27% of those polled wanted all Muslim-Americans to register where they lived. Which is atrocious. Now, I was kind of curious as to what “curtailing civil liberties” meant, so I dug up the original report (original). I got distracted from that question by worse news: only 27% of the respondents believe that Muslim values are similar to Christian values. 31% said that the media should not report criticisms. 37% don’t think people should be allowed to protest at all. Welcome to America. ...

Baddish news on the UN front, from my point of view. Well, potentially bad. France, Germany, and Russia are working on a Security Council resolution which would do a number of things none of which include sanctioning a war on Iraq. It does include peacekeepers, which is interesting. Powell is upset that he learned about it from a press report. Takes respect to give respect, which Powell no doubt knows but he’s gotta register a complaint anyhow. ...

In the future, everyone in Boston will have parasols for fifteen minutes. There are many more vintage Boston postcards here (original), and I suppose some might want postcards from elsewhere.

Blah blah Tom Wolfe writes bad sex scenes (original) blah. Well… I Am Charlotte Simmons is not a great book. It’s not a lousy book either. In any case, though, there’s nothing wrong with the sex scene in context. It’s written as clinically and as awkwardly as it is because Wolfe is using Charlotte Simmons’ voice in that scene, and from the first time we meet her it’s exceedingly clear that she uses dry, clinical language to separate herself from aspects of her life which make her feel awkward. It’s not Tom Wolfe writing uncomfortably about sex, it’s Charlotte Simmons thinking uncomfortably about sex.

Robin McKinley’s Sunshine is much like a Laurell Hamilton book, except that it’s suitable for people with good taste. The territory is familiar: more or less modern day, except there are creepy-crawlies (including vampires) running around and everybody knows it. Sunshine is set right after the war that occurred when that particular fact became public knowledge, I think — the timing is never made clear. There’s a young spunky heroine, there’s a vampire, there’s romance (not necessarily with the vampire), and so on. ...