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Malice@Doll. Uh. Fetishistic 3D CGI adult anime set in a future without people. Malice is a sex doll who encounters some sort of monster that changes her into a human and gives her the ability to do the same to other machines. There are tenticular penises involved, sometimes, but not always. Things do not go as well as the newly human Malice had hoped. I think it was some kind of allegory for the danger of letting women and robots get uppity, although Malice does get to transcend at the end. Everyone else goes back to normal, though. A fair number of people walked out during the movie, and Hillside Strangler has been displaced as the worst movie I’ve seen so far.

Nothing like seeing a pristine copy of a Shaw Brothers film on the big screen. I think the colors were a little less saturated and the picture was a little more crisp than those on the DVDs I have; I expect the digitization process accounts for both of those. I wouldn’t really say I prefer either. Either way, I’m getting the superb kung fu and the dramatic period pieces and all. ...

Harry Knuckles and the Pearl Necklace is an example of a semi-pro film that sort of works, unlike Hillside Strangler. The acting is kind of painful and the script is too full of action movie in-jokes that go on too long, but the tongue is in the cheek and the totality is fairly enjoyable. Besides, “Smells like fish — tastes like pain” is a great line, so that’s all good. ...

A while back Jere commented that he thought the best way to handle gay marriage civil disobedience was to stop giving out marriage licenses — you still make the point about equal treatment, but you don’t give out licenses which are unlikely to remain valid. Benton County, Oregon, agrees. (original)

After fifteen minutes of Saving Private Tootsie, I realized that I was watching something for which I had very few if any cultural touchpoints. So, um, yeah — it’s a bold statement about the acceptability of Thai queer culture framed by a Steven Spielberg pastiche and beyond that I am not competent to say. I liked it, I think, but it was a strong reminder that our understanding of film relies on a shared vocabulary. ...

I’m in Montreal! This is written post-first movie, of which more anon; there’s a coffee shop with wireless across from the theater but I don’t want to lose my place in line. I’ll upload entries as I find time. The trip up was pretty painless. The high point was the New York Italian-themed restaurant at a highway exit in the middle of Quebec farmland. Our hotel is small but charming, and it’s an easy walk to Concordia University, where the festival takes place. It was a little disturbing seeing a “For Sale” sign on the hotel facade, but it hasn’t been sold as of this weekend, thankfully. ...

What I’m doing during the interminable classic rock segments is cranking up Britney Spears’ “Toxic” and pretending that’s the DNC soundtrack. It works particularly well when CSPAN goes to a flag waving shot: the combination of flags and dance music has that edgy mechanical appeal that Madeline L’Engle ascribes to IT on Camazotz. The people dancing are a little out of sync with the music, but you can ascribe that to a failure of the controlling intelligence.

Tomorrow I begin the trek up to Montreal for FantAsia. I am so much looking forward to this I can’t even begin to explain. Sadly, I won’t make Porco Rosso, but Cutie Honey is an acceptable replacement. To do: Pack (clothing, toiletries) Update iPod, get rid of 9/11 speeches (good but they take up room), add Germany 70s electronica Charge camera battery Detach USB cell phone charger from keyboard, tuck into laptop bag ...

Glenn Reynolds is curious about Atrios. More precisely, since Atrios has unveiled as Duncan Black, who works for a group that’s partially funded by George Soros, Glenn Reynolds wants to know why nobody’s making a fuss about it. The money quote: “… if I were working for, say, Richard Mellon Scaife, I think somebody — like, say, Duncan Black — would be making something of it.” As it happens, Glenn Reynolds has a paying gig with Tech Central Station, which is funded by the DCI Group, which is a top-notch Republican lobbying organization. So I guess Glenn actually is working for Republican money-men after all. Funny how that works out.

I just completed my 24 Hour RPG. Phew. Started: 1 PM, 7/24/04; finished: 1 PM, 7/25/04. Above The Earth (original) is a superhero game designed around resource management mechanics. It’s flexible enough to handle street-level superheroes and cosmic powers, all in the same fight. “You have a hundred six sided dice; when you run out, you run out.” I started this one with the example of play, which made writing the rest of the game almost painless. I wish I’d had another hour to review it and in particular double-check the math in the example of play; I looked at it a few times but I’m convinced I missed something. C’est la vie. ...