John Tynes claims, accurately (original), that Dirty Pretty Things is the “best damn film of the year.” So far, true. Stephen Frears has turned out another little gem. He paints the story using the edges of society, creating art with the conventions of the dark thriller genre. It’s not just a thriller, and it’s not just one of his social pieces; it’s an elegant braid of both.
Audrey Tautou kind of slips into the impish Amelie persona once or twice, which is a little odd for someone playing a Turkish immigrant, but it more or less works. The rest of the acting was superb. Benedict Wong was especially good, and got the best line in the movie in the best scene of the movie. Lucky guy.
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