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Author: Bryant

CCC 01: Tunnels & Trolls

Day one is Tunnels & Trolls, in honor of my very first RPG. I’m using the Deluxe rules, no complications. Stats are 3d6 in order and all that jazz. So what do we get?

Strength 12
Constitution 5
Dexterity 8
Speed 11
Luck 11
Intelligence 9
Wizardry 8
Charisma 18+10 = 28

Phew, that’s poor. Except Charisma, which is ridiculous. This particular version of the rules allows you to roll and add when you get triples, so when I rolled an 18 on Charisma, I rolled again and added. If I’d gotten triples on the second roll I would have kept on rolling and adding. It’s ludicrous and it means my yet unnamed character starts at level 2, since level is determined by the highest first digit of any stat.

Charisma, alas, is strictly a social interaction stat so Kevin here is going to be one of those people who gets by on charm. I don’t think he really realizes it, though. He thinks he’s a bold warrior type. Quirkily enough, warriors get +1d6 per level on any melee weapon damage so Kevin will be a bit less hopeless than he would be without his spectacular Charisma.

I am briefly tempted to make him an elf to multiply his Charisma by 1.5. That’d actually also boost his magical stats to something plausible for a wizard… but nah, let’s lean into the flaws, it’s more interesting.

What are his personal adds (which are effectively a combat bonus)? One point for each of Strength, Luck, Speed, and Dexterity that are above average… so no adds at all.

Back to dice. Randomly generating his height and weight, I discover that Kevin is 5’7″ and a skinny 150 pounds. He starts with 110 gold, which should be easy to spend. The weapons lists are not the weird joy they were in Fifth Edition, but they’re still pretty cool. Kevin’s limitation is his Dexterity, which will vastly limit the weapons he can use. For example, he’s too clumsy to handle a medium sword: if he wants a blade, it’s a short sword or nothing.

The mini-max choice would be a medium pick of some kind, which does 5d6 and requires a mere 12 Strength and 8 Dexterity. It just doesn’t seem flashy enough. An axe could be cool but he’s under by 1 point on both Str and Dex. It’s fine: 55 gold goes to a small sabre, which is flashy and does 3d6 of damage (plus 2d6 for his level). Another 50 gold gets him a full suit of light leather armor, which will take 3 hits for him. Puny but that’s life as a new T&T character. His last five gold is exactly the cost of the “basic delver’s package,” which is a cheap backpack, a waterskin, some chalk, and so on.

Since Tunnels & Trolls experience points are spent on improving stats, there’s hope of a substantial improvement in combat damage someday. And the one advantage to low stats is that they’re cheap to improve.

Finally, a bit more choice: I get to pick a talent! Cool. Actually two talents because he’s level 2. These are sort of like skills or areas of knowledge. Kevin’s first talent is Culture Knowledge: bars. He’s good at those; he understands the typical patrons, he knows a lot of bartenders, that kind of thing. His second talent is, let’s see, Outdoorsmanship — it’ll come in handy now and again and reminds me that Kevin isn’t useless. Just… oddly shaped. I suspect he learned it camping with his father before he grew up and glowed up.

I’m not sure who told Kevin he had a future as an adventurer. Maybe people just hate to disappoint him and tell him it’s a bad idea. Regardless, there he is: bold, stupid, and absolutely the life of any party. He’s going to wind up as one of those characters whose success depends on how well I can sweet talk the GM.

Character Creation Challenge 2025 Overview

I got a wild hair this year, plus I need something to keep me busy in the evenings while I’m traveling, so I’m going to take a shot at the 2025 Character Creation Challenge. Basically: one TTRPG character per day. Details here.

Then I missed the first day because I got very distracted by Trenque Lauquen. No regrets. That’s okay, I can play a bit of catchup! Completed entries are tagged as character-creation-2025.

Sorry about the relatively frequent posts in your RSS feed. It’s OK, it’s likely there won’t be more than ten of these.

Not Actually A Castle

S. and I are up in Victoria for a brief pre-Christmas holiday vacation; mostly just lounging about. We’re sitting in Saint Cecilia as I write this, which I strongly recommend if you’re into coffee. They do great hand-brews. One of the non-lounge activities, though, was Craigdarroch Castle.

Craigdarroch Castle from a slight distance — it’s a big Romanesque Revival stone building.

I say “not actually a castle” because the family that built it, the Dunsmuirs, did not actually call it a castle. I imagine being from Scotland they had higher standards for the term. You can see why locals picked up the habit, though.

It was cool enough (and surpassed expectations enough) so that I wanted to blog about it. I’m a sucker for museums which are built on top of old robber baron collections. This isn’t exactly that; Robert Dunsmuir wasn’t particularly into collecting art, and he died before Craigdarroch was finished. As far as I can tell, he was into collecting money and children. However, he liked nice things and Craigdarroch is a window into the way the extremely wealthy lived back in the 1890s.

The Castle Society also made the smart decision to preserve and display the rest of the history of the building. After Robert Dunsmuir’s wife Joan died, it was sold off — the rocky history of inheritances and lawsuits in the family is a whole different post. Since then, it’s been a military hospital, a college, a local governmental office, and a music conservatory. All this is part of a vibrant history, and the Society decided to restore those aspects as well.

So, for example, there are places where the linoleum floors put in for the college are still there and will remain. Most of the work so far has been centered on the Dunsmuir era, but as you descend from the fourth floor down through the servant quarters there are displays pertaining to the rest of the history, and outlined plans for more reconstruction. It’s a good decision to show the full history of the place.

Which is not to say that the original mansion isn’t the focus. The stained glass in particular is eye-catching. According to one of the docents, 75% of it is original; some pieces went missing after Joan’s death.

A stained glass window depicting a woman with a swan; she’s holding a bunch of peacock feathers. It’s based on a pre-Raphaelite painting called The Odalisque by Sir Frederic Leighton.

The Dunsmuir family faded in prominence fairly soon after Robert and Joan died. Their son James was likewise a robber baron and politician and the influence of the family was huge, but there weren’t more than three generations of fabulously rich Dunsmuirs. The gracenotes I found most interesting were a) Dola Dunsmuir’s long relationship with Tallulah Bankhead, and b) Kathleen Dunsmuir’s funding of the first Canadian talking motion picture. Alas, The Crimson Paradise is a lost picture.

WordPress and Migrations, Oh My

I really intended to spend the rest of my blogging life, such as it is, on self-hosted WordPress. It satisfies my basic needs: I control my own data and I can type words into it from pretty much anywhere. (I’m using Obsidian right now, in fact.) It is not a perfectly resilient platform in that it’s dynamically served, so I need the developers to continue to patch and update it or it’ll wind up as a security flaw, but WordPress.org always looked pretty stable and has been fine for a long, long time.

Welp.

I’m not convinced that current events require me to move from a practical standpoint. There are enough websites using WordPress so that there’s strong motivation for someone to continue maintaining the open source version or a fork of said version. For a while, at least, but that removes the immediate urgency.

However, I think practically speaking I should understand how I’d move.

There is no dynamic blogging platform, self-hosted or not, that fits my needs. Basically that’s a longevity issue; every migration means I’m losing a bit of fidelity. Redirects I didn’t handle right, weird custom WordPress shortcodes, all that jazz. If you look you can see the places where my migrations between MovableType and Tumblr and WordPress screwed up small details. Nobody notices but me, I know.

Still, if I’m gonna migrate yet again, I’d like to wind up with something as simple as possible on the back end. This probably means a static site generator. That’s cool, there are plenty of those.
(Image embeds on old posts are gonna look bad but that’s OK, the information doesn’t tend to rely on exact image positioning.)

The big problem is of course comments. Self-hosted comment systems for static site generators exist. Hashover is interesting but fairly unmaintained (2 years since last commit). Staticman is likewise pretty fallow. I imagine I can figure out a way to pull over comments as part of the static files, I’m just worried about allowing ongoing commentary.

So what if I don’t? I’ve gotten a handful of comments which were really cool over many years of blogging. I mirror this blog to Dreamwidth anyhow, and my friends tend to comment there.

Avoiding the problem entirely seems like one good answer.

Another neat answer would be pushing all my posts to Mastodon and Bluesky, which would be a trivial exercise, and letting people comment there if they wanted. Not really user friendly and many of those cool comments were from non-tech savvy people; I think I’d lose some functionality. Still rather attractive from a distributed Web standpoint.

What if I also wrote some code to pull back replies to those posts and show them on the blog page? Substantial loss of control over spam, is what. Might be fun anyhow.

October Criterion Channel Lineup

This is in part an experiment to figure out if I can keep to a monthly posting cadence on a particular topic. Unsurprisingly, it’s about movies — specifically, what’s coming to the Criterion Channel next month? Criterion themes their months around collections, which typically stick around for several months thereafter; any given collection is usually a mix of new to the channel movies and existing faves. Here’s a rundown of October’s collections and some specifics which caught my eye.

Radiance Films

Being prone to collector disease, I have bought some Blu-rays during the last few years of obsessive movie watching. I’ve been more restrained than I used to be — I focus on movies I’m pretty sure I’ll like. I got the Criterion Ingmar Bergman boxed set after watching a handful of his movies, and I’m working through it slowly but happily. I picked up both Arrow Shawscope sets and S. and I are watching our way through those. Restraint.

But I’m me.

As you may know, the last few years have seen an explosion in the number of boutique Blu-ray labels. It’s not just Criterion for the arthouse and Arrow for the exploitation any more. I’m not sure of the economics of this business, but it seems that releasing a couple of titles a month in limited editions of 1,000-3,000 is enough to sustain a business if you’re in it for the passion.

And a couple of them have subscription programs. Vinegar Syndrome is the most notable example. They land a bit further on the exploitation side than I do, so their subscription program wasn’t interesting to me. (I do recommend checking out their partner labels even if you aren’t into sleaze — I have a couple of Deaf Crocodile releases from the amazing Aleksandr Ptushko, and they distribute Music Box Films Blu-rays.)

On the other hand, Radiance Films, well. They hit this incredibly sweet spot for me that’s sort of in the place where genre film overlaps with arthouse cinema, plus they do a great job of finding movies I’ve never heard of. Their definition of “Radiance-core” matches my tastes so well: Wong Kar-wai, Aki Kaurismäki, old movies, new movies — and everything I hadn’t heard of was interesting.

So I picked up their World Noir and Piotr Szulkin sets while over in Dublin — at the Irish Film Institute store in Temple Bar, it’s great, check it out — and I liked those a bunch. Theory confirmed, 2024 subscription purchased. And the movies are panning out wonderfully so far.

If 2022 was the year I dove into film, and 2023 was the year I broadened my experience with great films, 2024 may be my year of diving into great pockets of genre. None of that is completely accurate; all of it is a bit glib; it’ll do as a thematic statement.

The Big Move

No, bigger than that. We’re moving to Dublin!

Long story short, my illustrious employer needs someone with my skill set in the Dublin office, and both S. and I think living in Dublin sounds like an interesting adventure, so we’re doing it. Estimated move date is sometime in September, pending the excitement of getting a visa (in process) and all the other logistics details. The plan is to keep us there for three years, after which we’ll return to the Seattle area and carry on with our lives.

Even though we’re getting a good relocation package, it’s daunting. We may not need to find our own place to live eventually; we still need to talk to tax consultants on both sides of the ocean, and get paperwork done, and figure out what we’re going to move.

That last is a whole thing of a thing. We can ship stuff, but it’ll take months to get there by boat. We can take a few bags on the plane. We can maybe move a few things by air, like maybe one of the televisions? I am in the middle of the somewhat difficult task of figuring out which tabletop games I want to bring. There’s gonna be a lot of stuff going into storage for a few years.

Such an adventure, though. I have a spreadsheet of cities which are direct flights from Dublin. Rome is three hours away. This is going to be ridiculous.