Press "Enter" to skip to content

Category: Film Festivals

Fantasia 2023: A Wrap

July 30, 2023
Leave a Comment

34 feature length movies and 12 shorts. Towards the end I was having a little bit of trouble connecting scenes into narratives so it’s probably just as well that my last two movies were a magic realism fable and a sociological essay. That was a very good time and I hope to do it again sooner than a decade from now.

Since I’m that kind of person, I made ranked lists for features and shorts. It was a pretty good year. Hippo is particularly good if you like thinking about conspiracies and cult dynamics and such. Baby Assassins 2 Babies has a martial arts fight scene that’s probably going to wind up in my top ten ever. I’m also particularly pleased that the Southeast Asian films I saw were more mature than some I’ve seen in previous years — it feels like the programmers have a solid handle on how to program the good stuff.

I’m a little bummed that I never found the Arrow Video booth, if in fact they had one. Vinegar Syndrome did but their releases aren’t quite as in sync with my tastes. I wanted to ask Arrow when their next Shaw Brothers set was coming out, too.

Gonna be a long flight back. Still all worth it.

Fantasia 2023: Halfway There

July 26, 2023
Leave a Comment

We had eight days of movies scheduled; we have completed four days. Halfway mark! I am tired but very happy; our hotel continues to be perfectly positioned and the food’s still quite good. There’s this little counter service Chinese place next to the hotel which is unexpectedly tasty.

Highlights so far: Lovely, Dark, and Deep, which is some of the best cosmic horror I’ve seen in a while. Not Lovecraftian. It lays out the situation in the first fifteen minutes, so that as Georgina Campbell discovers the scope of the horror, we have the same retroactive realizations she does. Smart movie.

Also great: Talk To Me. The Philippou brothers may be YouTube bros but they’re good filmmakers who care about their craft, and their insight into teens being teens is strong. Very kinetic, certainly terrifying.

On the non-horror side of the fence, I greatly enjoyed The First Slam Dunk. I’m not a huge anime fan and I almost didn’t get tickets for this one, but I’m so glad I did. Director Takehiko Inoue really loves basketball, as I discovered afterwards, and it shows. I can’t think of any sports movies structured like this one — the climatic game is the spine of the movie, with flashbacks explaining how the characters got there — and it’s very cool.

We also learned something very important. If you’re doing back to back movies, you can tell the volunteers when you get out of the first one and they’ll shuffle you off into a little holding pen and you get seated first for the next one. I don’t care so much about my exact position in the theater but it’s nice to maximize sitting down time.

The in-room laundry is running. It’s crappy but it’s better than a laundromat.

Fantasia 2023

July 23, 2023
Leave a Comment

It’s so good to be back.

Previously: 2004, 2006, 2015. So I guess this is my 20th anniversary Fantasia, which is unplanned but nice. I’d like to go more than once every ten years — remind me in 2028, right? We might have squeezed one in around 2020, but the pandemic.

View of a modernist college building with a line of people curved around the corner.

This year we’re staying in a Sonder hotel which is literally across the intersection from Théâtre Hall, the primary venue. Wait, I have a picture from our balcony. You couldn’t ask for a more convenient hotel. You could ask for a nicer one; Sonder is oriented towards cheap longer stays, so we’re getting a nice discount for staying a week but there are stains on the hallway carpet. Whatever. There’s a washer/dryer unit and a mini-kitchen in the room and a pool on the roof and we’re in the middle of everything.

It’s the morning of the second day right now. We’ve had two satisfying huge breakfasts, a good but slow Mediterranean lunch, a bunch of fast food dinners, and a lot of movies. Since Letterboxd exists, I’m not going to do separate write-ups here. They’ll come along with the Letterboxd mirroring in due time.

I may post longer rambling thoughts. I try not to write reactive reviews on Letterboxd, which means if I want to yell about holding Nicolas Cage accountable for his performances instead of just going “ooooh he was over the top,” I will do it here. Slightly unfair in this case since I think he was pretty good in Sympathy for the Devil, it’s just the movie itself which failed him.

Not that this is a problem. I always see at least one movie I adore here, usually not the one I expected to love, and there’s always a lot of crap. The experience is excellent nonetheless. It’s fun being at a festival where audience reaction is encouraged. There’s a tradition of “meows” before each movie, apparently thanks to Simon’s Cat. That quiets down when the credits roll. The audience roars at good action scenes; yesterday, in The First Slam Dunk, we cheered the basketball game like it was real. We come to this place —

Nah, can’t do it. But Fantasia is always going to be a second home for me.

Noir City 2019 Streaming

February 19, 2019
Leave a Comment

For reference and for my friends who can’t make it to a Noir City showing this year. (San Francisco, Seattle, Hollywood, Austin, Boston, Chicago. Make it if you can.) I’m just listing movies with subscription/free streams here.

Subscription service info is mostly from Lettrboxed. One of the many cool features they have: you can click on a movie and find out where you can see it. You can also filter film lists by services, so if I wanna feel classy I pull up the list of TSPDT 21st Century Top 1000 Movies and find out what’s on Netflix.

Noir City 2018 Seattle

February 1, 2018
Leave a Comment

Seattle has a great film scene. It’s on par with San Francisco — no Alamo Drafthouse up here, but we have the Cinerama and SIFF is an excellent film society. I thought I was going to miss Eddie Mueller’s San Francisco based film noir festivals, but it turns out he runs a slightly abbreviated version of the festival up here every year.

It’s that time of year! This’ll be my third go-round at one version or another of this festival. Previous years have coincided with lapsed blogging, alas.

This year’s festival leans heavily into the classics. I am looking forward to watching The Big Sleep and The Maltese Falcon again. I’ve never seen Mildred Pierce or The Blue Dahlia. This should be awesome.

Port of Call

August 4, 2015
Leave a Comment

Port of Call: A

Excellent Hong Kong drama based on a real murder case from 2008. Aaron Kwok was superb in this; he goes old, with grey hair and a mustache, and really vanishes into the role. It’s a tough part, full of damaged psyches grating against each other in an endless cycle. He plays it whimsical with a ton of pain showing right under the surface: comedy as defense mechanism.

The movie is set in seedy Hong Kong, where low-lives and desperate souls live. Occasionally we see glimpses of privilege and wealth. Christopher Doyle is the cinematographer, and he’s unsurprisingly perfect at showing us the contrast between those two places. It’s as if wealth was a source of light, and unwise phototropic souls reached out to it like a lifeline, only to find it was sterile. (Doyle always inspires me to clumsy light-based metaphors. Love his work.)

Other than Aaron Kwok making sad jokes which fail to dispel his pain, there’s very little humor in the movie. There are sequences of explicit death and violence. People are not nice to one another. It gets a lot of power from being unflinching.

The Ninja War of Torakage

August 4, 2015
Leave a Comment

The Ninja War of Torakage: B

This was the weirdest thing I saw at Fantasia. Underneath it all you’ll find a pretty standard historical ninja epic about Torakage, this poor guy who just wants to retire from ninjaing and raise a family, but there’s a lot of insanity between the surface of the movie and the core. I don’t know Yoshihiro Nishimura’s work but he’s a special effects/makeup dude who occasionally directs, I guess. This is perhaps obvious from the opening shot in which our protagonist cuts off a couple of heads and we center two spouting fountains of gore for a very long time.

Once we’ve gotten the sense that it’s going to be a reasonably violent action film, Nishimura proceeds to demonstrate that it’s going to be supremely weird by cutting to a Portugese scholar named Francisco who narrates the premise of the movie with the help of shadow puppets. Visually awesome, by the by, once you get over the Japanese actor in Euroface. Francisco shows up to explain the movie all the time, although he doesn’t explain any of the weird stuff.

Other awesome things: the weird creature with wings made of hands and eyes everywhere; the bamboo mecha; the way Torakage’s wife Tsukikage also kicks ass; the Greek chorus in jars. I appreciated this one a lot.

Tales of Halloween

July 27, 2015
Leave a Comment

Tales of Halloween: B+

This review is maybe a bit of a placeholder; I did not take notes during the movie and I’d like to come back to it when I can find some better data on who directed what. For now, I will note that this was a totally fun horror anthology with ten segments. They’re very loosely linked insofar as they all take place in one town during Halloween. Unsurprisingly, it’s not a place you’d want to live. Neil Marshall’s closing segment ties together some of the other bits, but otherwise they’re just related by theme and locale.

If I had to bet, I’d say one of the thematic elements the creators decided to work with was revenge. There’s a lot of that going on. Also trick or treating, which is kind of a gimmie for Halloween. Also gore — this is probably going to win my personal Best Gore award for Fantasia — but that’s just because it’s a total love letter to 80s horror.

Which, let me tell you, this movie wears its heart on its sleeve. Lots of horror character actors you’ll recognize, a couple of even more amusing cameos, and so on. The Neil Marshall segment plays like a John Carpenter tribute in the most loving of ways.

I think this will roll into theaters around Halloween this year and if you like gory horror you should see it.

Full Strike

July 27, 2015
Leave a Comment

Full Strike: B

This was pretty much OK. Very broad Hong Kong sports comedy with all the usual bits. There’s a drunken master, there’s an evil magistrate, there’s familial tension, and so on. Oh, and a random alien who lands in a UFO that looks like a badminton shuttlecock. Don’t pay too much attention to him, since he’s not actually part of the movie.

Right — the sport is badminton. Serious business! The producer, Andrew Ooi, introduced the movie and explained that they’re all big fans of badminton so why not make a movie about it? Fair enough.

Josie Ho was a standout; her transitions from washed up ex-champion to fierce competitor were a nice bit of acting. That’s the extra effort that you don’t always see in a farce.

Jeruzalem

July 23, 2015
Leave a Comment

Jeruzalem: D.

This was a lot of wasted potential. You’ve got a promising if somewhat goofy presence — American backpackers trapped in Jerusalem during the apocalypse. The found footage twist is pretty good: everything’s being filmed on Google Glass by Sarah, our viewpoint character. It’s a nice way to explain why she doesn’t just drop the camera and run away, plus the Paz brothers added some really clever moments around facial recognition and other wearable features.

Unfortunately the acting was really, really bad. I’m not going to pick on anyone in particular, because everyone was fairly wooden. If you’re doing helpless Americans abroad, you’ve got to have sympathetic characters and none of the main foursome was up to that task.

The writing didn’t help. Towards the beginning of the movie there’s an excellent chase scene which uses the Glass conceit to full advantage. You get disoriented right along with Sarah as she runs, you get a real feel for her lack of perspective, and it’s easy to understand how she gets lost in the warren of back alleys. Excellent stuff. It’s undermined by the ceaseless repetition of “hey, stop, hey, you, stop, hey, come back, hey, stop!” It’s as if the filmmakers were afraid of silence.

I could go on. The prelude, which is not presented as found footage, winds up being played for Sarah later. So if you’re going to present it within the found footage context anyway, why start the movie outside the frame? Hold it for later, don’t repeat it, and as a bonus you get to save your demon reveal rather than giving it up in the first five minutes.

Whoops, I went on. Done now. Don’t watch this on cable if you happen to trip over it some day.