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Author: Bryant

WISH #63: Value adds

WISH 63 asks:

What kinds of game-related things do you do when you’re not gaming? Do you write journals or fiction, create web-pages, make character images, or indulge in other outside game-related business? If you game regularly face-to-face, do you play by email or chat outside the game? Does your GM give you experience or character rewards for your efforts? And if you don’t do any of these things, what are your reasons for not doing them (disinterest, insufficient time, insufficient interest, etc.)?

Oh, man. This is gonna be long.

OK, this is kind of repetition for people who read my blog regularly, but what the heck. Yeah, I do a lot of out of game stuff, just for my own amusement. A bunch of it is on the Web, and I will take this opportunity to link ruthlessly, in roughly chronological order.

Going very old school, from the time I spent in Iowa City, I have Chela’s diary. It’s from an Amber campaign I was in. Fun game, even if the diary is an artifact of a much younger me.

Next, we have my UN PEACE page, a half-hearted IC Web page for Carl Rigney’s UN PEACE campaign. I gave up on keeping it up to date at some point. Man, the graphics on the Vantage Comics page suck. The individual comic titles are links, which is not at all obvious from the design. I put way too much effort into coming up with faux reality comic storylines, not to mention the comic creators.

The Honor Against the Wall page is the only one of these that I created as a GM; it’s for a short-lived L5R game that I wish I’d kept up. I’ll pretend it’s Rob Heinsoo’s fault for moving to Seattle. Yeah, that’s the ticket. Anyhow, it’s a much prettier page.

Lately, of course, I’ve been writing the Dear Brother letters for my disturbing character in Rob’s Unknown USA campaign. I’m very proud of them, which is I suppose why I’ve kept them up. I’m almost up to date, too. They go with the infamous Unknown USA Wiki, which has not only eaten my brain but seems to have eaten the brain of at least one fellow player plus the GM.

I do these things for games I’m really enjoying because it gives them weight. Reese is more concrete to me because of the material I’ve written. The wiki has had the additional, unexpected effect of clarifying a huge amount of in-game material. Hm, and I’ll expound a bit on that:

Our characters have more bandwidth to notice the little things in their lives. No GM can possibly describe all the small setting elements that go into forming a mood; we say the circus tent is scary, and provide a few reasons as to why, but it’s never more than an outline which leaves us to fill in the details of the fear. That’s an effective technique, but it’s very hard to simulate leaps of intuition, because they’re generated by those details.

The wiki provides a very quick-forming context in which multiple players can generate those leaps through a sort of brainstorming process. When you’re carefully filling in all the links between setting elements, you see things you wouldn’t see otherwise — it’s a method of tricking yourself into reviewing all the little hints dropped by the GM. Great stuff.

OK, where was I? I’ve never gotten experience points for any of this stuff except Chela’s diary, but that’s not really why I do it. I do it cause I like writing and I like making out of game artifacts that touch on the game. It’s a way of connecting to the setting, for me.

I sometimes RP outside sessions of an FTF game. It depends on the players and the situation. For example, Carl was running another game in the UN PEACE universe, and my PC had a romance with one of the PCs in that game, so we did some online RP around that. But it’s not something I do habitually.

Polite stoppage

As per expectations, initial reaction to the first attempt to get more international aid in Iraq was not good. Germany is being negative, and Russia is making it clear that they need UN involvement. From one angle, it looks like Russia is making concessions, but note that Russia is implacable about UN approval. They’re letting us know that we can get what we want… if we do it their way. Chirac, unsurprisingly, is on board with Germany and Russia.

On the other hand, Thailand just sent 21 soldiers. So that’s something. And it’s just the initial deployment — they’ll be up to a full 443 soldiers at some point.

OK, so that’s not really so great. The UK may add 5,000 troops to their deployment, which is far more significant. On the other hand, the Congressional Budget Office says we can’t maintain the current 180,000 troops in Iraq past March of next year. We’ll have to drop the numbers to 64,000 men maximum at that point.

Gonna be a bit of a shortfall.

A hand here?

The US is working on a new UN resolution intended to encourage foreign assistance in Iraq. Five bucks says the first version circulated turns out to be unacceptable to the Security Council.

Unfortunately for Bush, he’s negotiating from a position of weakness. After having said he doesn’t need the UN and calling the Security Council irrelevant, he’s now finding that he has to go back and ask them for help. There aren’t many weaker negotiating stances than that.

Trying out a role

Without my TiVo, I’d never have gotten around to seeing Audition, which would have been a pity. I think. As is, I spent half the weekend severely creeped out. For a movie without any supernatural trappings, it was about the most horrific thing I’ve seen since The Blair Witch Project. (Pre-hype.)

Confessional: I normally find Japanese movies a bit slow. I know it’s part of the cinematic culture in Japan and all; I just don’t have the mental pathways I’d need to appreciate the style properly. I’d been hearing about this Takashi Miike guy for a while, though; he cranks out five or six movies a year, he’s supposed to be totally transgressive and daring, and people either love him or hate him. So I snagged Audition from the Sundance Channel, cause what could it hurt?

I expected it to be a pretty sloppy gore-fest. I figured Miike was infamous for the boundaries he crossed, rather than the skill with which he crossed them. I also expected yet another Japanese movie with moments of action mixed with long slow interludes of mood development. An hour into Audition, as I was appreciating the patient build and the elegant cinematography and the sharp interjections of tension — ah, that canvas bag — I’d learned different.

The movie starts out as a romantic tragedy. Shigeharu Aoyama’s wife dies, and seven years later, he’s still dealing with his grief. There’s not a hint of anything beyond a quiet little drama which could easily open up into a story about a man who finds love again; it’s incredibly restrained. Sure, it’s kind of creepy to stage a movie audition in order to find a new wife… but you feel for Aoyama, and maybe it’ll work out. And that’s the first hour of the movie. Could be any TV drama of the week, except skillfully filmed.

Then, without a bump in the transition, the movie takes a left turn into a deranged mix of David Lynch and Tobe Hooper. There’s no gore for gore’s sake, but the camera doesn’t turn away from the horror for a single second. The layered flashbacks and dream sequences are a much-needed counterpoint to the terrible things which happen in the present, but even in that escape you can see the seeds of the tragedy to come.

I can’t emphasize enough how nasty things get. Think Meet The Feebles, except much better technically, real actors, and more blood. I also can’t say enough good things about Miike’s evocation of Japanese relationships. It’s a hard contrast to wrap my mind around, because despite the occasional flashes of brilliance from Wes Craven, you don’t normally get real social commentary from a movie as bloody as Audition.

Fascinating movie, but watch it at your own risk.

Chalabi day

Riverbend notes that it’s Chalabi’s turn to be president of the Iraqi Governing Council. Should be an interesting month. Chalabi’s been claiming he doesn’t want power for ages now, but he keeps winding up with influence anyhow — albeit influence mostly generated by his supporters among the neocons.

So, does he use this month to show off how useful he can be? He claims that he needs more control over Iraqi security in order to prevent bombings and terrorism — in fact, he said he warned the US before the UN bombing. One doubts it’s a coincidence that the first Cabinet was named as Chalabi’s presidency began.

The always indispensable Joshua Marshall tosses in this tale of woe, which (if true) goes a long way towards explaining why Chalabi isn’t trusted.

Monday Mashup #7: Shogun

It’s Labor Day, and I thought about postponing till tomorrow — but nah. Let’s do some mashing up of the old pop culture; let’s dance with the memes in the pale moonlight. (Whoops, there’s one now.) Our chosen subject this week: Shogun, by James Clavell.

If I was going to boil Shogun down to a sentence of summation, I’d say it was about a man plunged into a culture he considers barbaric, and how he learns to understand it. It’s perhaps the case that the book is worthwhile not so much for the plot, but for the sincere attempt to write about Japanese culture on its own ground, which is difficult to subsume into gaming. Still, the raw plot material is probably fairly fertile ground. Have at it.

Jandek

Since 1978, he’s released 34 albums. That’s sort of the standard entry point for discussing Jandek, because there’s not much else to say. There’s no conclusive evidence about the person who makes the records, and the music is inaccessible and dark. He lives in Houston, he releases about a record every year, and he charges $8 apiece for them (or $4 apiece if you order 20 or more). It’s sort of bluesy, sort of folky, sort of out of tune. Alas, since his record label reissued all the old vinyl on CD, you can’t easily find his songs on the Internet anymore.

A Guide to Jandek is the definitive web site. Jandek on Corwood will be the definitive documentary.

Chipping foundations

Juan Cole is a professor of Middle East history at UMichigan, and thus has a little more grounds on which to base his speculations than the rest of us blogger. He has a kickass post on the Imam Ali mosque bombing, which discusses the targets and the probable bombers.

Juan Cole thinks it was Ba’athists, and he has some reasonable-sounding reasons. But whether it was Ba’athists or Al Qaeda or some other group, it is clear that the bombing was a strike against US interests — again, read Professor Cole’s post for a detailed explanation of why.

Hugo says

The Hugo Awards ceremony was last night, and Locus provides us with the winners. I’m surprised by the Best Novel; I enjoyed Hominids, but it was a very strong year for this category and I would have given The Scar the nod.

Novel

Bones of the Earth, Michael Swanwick
Hominids, Robert J. Sawyer
Kiln People, David Brin
The Scar, China Miéville
The Years of Rice and Salt, Kim Stanley Robinson

Novella

“Breathmoss”, Ian R. MacLeod
“Bronte’s Egg”, Richard Chwedyk
Coraline, Neil Gaiman
“In Spirit”, Pat Forde
“The Political Officer”, Charles Coleman Finlay
A Year in the Linear City, Paul Di Filippo

Novelette

“Halo”, Charles Stross
“Madonna of the Maquiladora”, Gregory Frost
“Presence”, Maureen F. McHugh
“Slow Life”, Michael Swanwick
“The Wild Girls”, Ursula K. Le Guin

Short Story

“Creation”, Jeffrey Ford
“Falling Onto Mars”, Geoffrey A. Landis
“‘Hello,’ Said the Stick”, Michael Swanwick
“Lambing Season”, Molly Gloss
“The Little Cat Laughed to See Such Sport”, Michael Swanwick

Related Book

The Battle of the Sexes in Science Fiction, Justine Larbalestier
Better to Have Loved: The Life of Judith Merril, Judith Merril & Emily Pohl-Weary
Bradbury: An Illustrated Life, Jerry Weist
Dragonhenge, Bob Eggleton & John Grant
Spectrum 9: The Best in Contemporary Fantastic Art, Cathy Fenner & Arnie Fenner, eds.

Dramatic Presentation, Short Form

Angel, “Waiting in the Wings”
Buffy the Vampire Slayer, “Conversations With Dead People”
Firefly, “Serenity”
Star Trek: Enterprise, “Carbon Creek”
Star Trek: Enterprise, “A Night in Sickbay”

Dramatic Presentation, Long Form

Harry Potter and the Chamber of Secrets
The Lord of the Rings: The Two Towers
Minority Report
Spider-Man
Spirited Away

Professional Editor

Ellen Datlow
Gardner Dozois
David G. Hartwell
Stanley Schmidt
Gordon Van Gelder

Professional Artist

Jim Burns
David A. Cherry
Bob Eggleton
Frank Kelly Freas
Donato Giancola

Semiprozine

Ansible, Dave Langford, ed.
Interzone, David Pringle, ed.
Locus, Charles N. Brown, Jennifer A. Hall & Kirsten Gong-Wong, eds.
The New York Review of Science Fiction, Kathryn Cramer, David G. Hartwell & Kevin Maroney, eds.
Speculations, Kent Brewster, ed.

Fanzine

Challenger, Guy H. Lillian III
Emerald City, Cheryl Morgan
File 770, Mike Glyer
Mimosa, Rich & Nicki Lynch
Plokta, Alison Scott, Steve Davies & Mike Scott

Fan Writer

Bob Devney
John L. Flynn
Mike Glyer
Dave Langford
Steven H Silver

Fan Artist

Brad Foster
Teddy Harvia
Sue Mason
Steve Stiles
Frank Wu

John W. Campbell Award for Best New Writer

Charles Coleman Finlay
David D. Levine
Karin Lowachee
Wen Spencer
Ken Wharton