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Category: Culture

Object of Dreams

Should you ever happen to be in Singapore and desirous of spending a thousand bucks or so on me, this is what I want. It’s the nearly complete Shaw Brothers collection, 668 films, on one set-top box. Presumably there’s a hard drive in there. HDMI output, 720p picture quality, from the Celestial Pictures remastered rereleases. Man, that would be awesome. At a thousand bucks, it’s reasonably priced on a per movie basis, too. Alas, they won’t ship outside Singapore.

Two Ice Cream Books

I got two books on making ice cream. I’m very pleased with one; I am not so pleased with the other.

Perfect Scoop is really good. David Lebovitz was a pastry chef at Chez Panisse and he cares a lot about good ice cream; his cookbook gives a nice solid grounding in ice cream theory and then rolls into a ton of recipes. There are also sections on granitas, toppings, and things to serve ice cream in. It’s a very foodie cookbook but it’s also very practical — there are not a lot of super-weird ingredients and he’s not snotty about using just the right thing.

His blog has a lot of recipes, not limited to ice cream, but you can get a feel for his techniques and style with this one. Which sounds great, but I do like white chocolate. You may note that his recipes tend towards using less sugar than the average, which is a plus for me. Not that I don’t like sweet ice cream; however, a guide to less sweet ice creams is good.

Finally, it’s a really pretty book. Lots of nice ice cream photography. Ice cream isn’t the most interesting subject in the world (look, another scoop of frozen dairy in a glass bowl!). On the other hand it gives me a good idea of desired textures.

So that’s the good. Bad: Ben & Jerry’s Homemade Ice Cream & Dessert Book. The history of the company is kind of interesting but the recipes, OK. They mostly have eggs, and there is no cooking of the eggs. It’s an entire cookbook full of raw eggs. Grrr. This tells me there’s not much thought given to the recipes, and it also tells me they weren’t that concerned with really giving away how their commercial ice creams are made, because I’m also pretty sure we’d figured out salmonella by 1987. Don’t buy this one, it’s not worth it.

Best Movie Marathon

Hey, that’s cool. AMC is running a two-day/one-day marathon of the 10 Best Picture nominees. 15 cities get the one-day marathon, and everyone else gets the two-day marathon. Probably the two-day marathon is saner. Sixty bucks a ticket for ten movies plus a $20 food card, so it’s four dollars a movie, which is not bad at all.

Review: Sha Po Lang

I took advantage of a Christmas Amazon gift certificate to fill a few holes in my old Hong Kong movie collection plus make a gesture towards catching up on more recent Hong Kong flicks. I know the Hong Kong movie scene is never going to be quite what it was back in the day, but it’s not like the last decade was a wasteland or anything. I’m behind!

Thus Susan and I watched Sha Po Lang last night. (You’d find it on US video shelves as Kill Zone; despite Miramax’s reputation and the horrendous new title, it’s an unclipped unmangled version.) Simon Yam was the big draw for me, cause I’ve always thought he’s a great Hong Kong character actor, plus it’s got a great rep, plus of course Sammo Hung and Donnie Yen.

So that was a good choice. As heroic bloodshed movies go, it’s not all that heroic, plus it’s more of a martial arts movie than a gunplay movie. It’s coming from the same place as the old John Woo classics, though, just without the moral brightness. The fight scenes are superb, the brutality is sudden and deft, and the personalities are turned up to eleven.

Although, you know, I’m probably doing it an injustice there when I bring up heroic bloodshed. The thing that makes Sha Po Lang really stand out is that the characters are nearly universally dark. Yeah, the propulsive anger that powers the movie is related to Chow Yun Fat’s righteous fury from any number of movies, and the sense of brotherhood is there, but this movie — like Infernal Affairs, to which it owes a great debt — is a deconstruction of the heroic bloodshed myth. Rogue cops are not always forces for good.

Possibly Sammo Hung’s role as a villain — “the first time I’ve done that in twenty-five years” — was also part of that. I’d love to ask Wilson Yip what he had in mind there.

Oh, and if you’re the kind of sad person who won’t go out and rent a movie on my say so, you could always watch this fight scene, which is awesome, but you ought to let the movie build up properly instead of watching it out of context.

Funny Alert

Hulu has the full run of Coupling; the British version, not the really bad American remake. Steven Moffat of Doctor Who current fame was the show’s creator, plus you’ve got Jack Davenport and Gina Bellman in every episode. You’ve sort of got to like sitcoms about people who are not entirely angelic, but it’s kind of sweet too.

Space Marines

Short shameful confession: I’m kind of enjoying the hell out of the Horus Heresy books. Of course this is only because Dan Abnett is quite a competent writer and so on, but excuses aside, big serious people in powered armor are marching across the galaxy and falling to corruption one by one! I have never taken pleasure out of a Warhammer 40K Space Marine book before. Nom nom nom.

Stuff I Watch On The TV

We recently cut the cable cord. It turns out that you can get an HD antennae that feeds a Tivo well enough, and that covers anything on Fox, NBC, CBS, ABC, and CW. AMC is the big exception, but it’s cheaper to buy the episodes on iTunes than it would be to maintain the cable bill. I was gonna get HBO in the spring to watch Game of Thrones, and HBO does not do downloads for non-subscribers, but c’est la vie. Also I lose a lot of the NBA playoffs. Thankfully there are sports bars.

Anyway, for the sake of the decision-making process I thought hard about what I actually watch.

eBooks and Agents

Two interesting ebook questions: when will publishers get around to releasing the backlist as ebooks, and who will be the quality gatekeepers in a world of self-publishing? You may think the second question is a moot point, and can be answered by some form of collective criticism, aka Metafilter, but I’m going to throw out some relevant news anyhow.

As I understand it, part of the problem with the first question is that publishers don’t own the ebook rights to their backlist. It wasn’t part of the standard contract back in the dark ages of the 1980s and 1990s and 2000s. This means authors can do it themselves, if they like. Please take a moment to read this post from John Scalzi before continuing.

This summer, literary agent Andrew Wylie realized that he had a bunch of clients who had great backlists which could be profitably released as ebooks without the added cost of involving a publisher. We’re talking people like John Updike, who do not need as much marketing for their backlist as others. So he tried that. Alas, it did not work out entirely well.

However, the (primarily) SF&F agency JABberwocky recently did the same thing. So that’s kind of interesting.