Prompts courtesy of Atlas Games. I have gamed with kids a little bit. I ran a mini-campaign which included a friend’s… 10 year old? I think? It was fine; I played to his needs a bit more than I usually do and his dad helped him on the rare occasions he needed help with dice or advice on what to do. It wasn’t his first experience with the game. I am probably not a great choice for teaching someone how to game; I’m not super-experienced with kids and appropriate educational techniques. But if the kid knows the game, I like making it fun for her or him. You get better

Dear Reverb Gamers: nope. I work in computer games, which makes it very easy to be out without consequence. It’s actually a career bonus to be a tabletop gamer, despite the fact that my day job is unrelated to game design. Even before I got into computer games, the Silicon Valley dot-com was a pretty friendly place for geeks of all stripes. Even if I went into something more conservative, I’d still keep a D20 keychain ornament on my shoulder bag, though.

See here for prompts. I’m going to the old 1999 WotC survey for this one, because I kind of like it when types are developed via research than just out of a fevered gamer brain. (But I’m an Method Actor with a side of Tactician, as one may have guessed from the previous post in this series.) That said, on the WotC chart I live on the tactical side of the strategy/tactics line. I generate strategy by improvisation, which is no strategy at all, but sometimes I make it look good enough to pass. Between story and combat, I lean strongly towards story. That’s a less important division to me; I think tactics over strategy matters more.

Prompt courtesy of Atlas Games again. “What is it about gaming that you enjoy the most? Why do you game? Is it the adrenaline rush, the social aspect, or something else?” I think it comes down to the fantasizing. When I’m actually gaming, I love roleplaying and immersing and speaking in my character’s voice. When I’m not sitting at the table, I’m still having fun thinking about what the world’s going to be like or how those NPCs are going to act or how my character might develop. I read sourcebooks because I like things that trigger my imagination. ...

Prompts courtesy of Atlas Games. I was, I’m not sure. 14? 15? Something like that. We were living up in New Hampshire. There were these family friends, who we met I don’t know how; probably one of those hippie connections we were rich with in those days. Teo was four years older than I was. Huge Rastafarian. If I remember right, his family’s lore said they were related to Haile Selassie? Seems unlikely, but who knows. ...

At the time, I found Sideways somewhat unapproachable. I wasn’t really sure why. Now I’m thinking I didn’t have the vocabulary, and I think it was a privilege problem. Alexander Payne made this great movie about the sad life problems of a pair of well-off guys. Yeah, Paul Giamatti is presented as a failure, and English teachers don’t make much money, but he can afford to take his pal on a week-long wine tour? That’s not realistic. ...

Very sadly, A Dangerous Method wound up being the weakest Cronenberg in a long time. The material was more or less perfect, but Keira Knightley let down the side. It’s not that she’s a bad actress, it’s that Cronenberg has never been the kind of director who draws forth the exceptional from his actors. And Knightley doesn’t know how to give her role weight. So instead of getting a damaged genius/patient, she’s playing another edition of the plucky young woman who stands up to the world. This time with more jaw tics.

Dinner tonight: Stiles Switch BBQ, which is conveniently half a mile from our house. The place just opened; the pit master used to be the pit boss at Louie Mueller’s up in Taylor. I am no barbecue expert but I hear Louie Mueller’s is very good, and Stiles Switch made me very happy. And it’s just a few minutes away.

Briefly: Fincher’s directing and Rooney Mara’s acting make it painfully clear that Lisbeth Salander doesn’t make any sense next to Mikael Blomkvist. There are two potentially awesome thrillers in both the book and the movies: one stars Blomkvist, and it’s a story about an awesome journalist who’s pretty much an auctorial stand in. The other is a somewhat more interesting story about Swedish traditional culture and the horrible things it does to women, as personified by both Harriet Vanger and Lisbeth Salander. When you mash them together, however, you get a wish-fulfillment piece in which the awesome journalist is just another man using a woman. Blomkvist and Salander should never have met. ...

Quick note, because I know some of you like Squirrel Nut Zippers a whole bunch: if you liked Squirrel Nut Zippers a whole bunch, you ought to check out White Ghost Shivers. immlass turned me onto these guys, and we took some time to see ’em playing this last weekend, and they were awesome: seven piece band doing 20s jazz, with a fairly punky modern attitude. The sound is way rooted in the 20s, but they aren’t afraid to sing about mullets and white trash. They’ve been playing together for more or less a decade, and are as sharp as you’d hope given that much experience together. Also the piano player played with Squirrel Nut Zippers some. ...