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Population: One

Notes: 2022-12-20

Nah, I don’t do these on a schedule or anything.

James Fallows writes about word processors … in 1982. Paywall, sorry. Really good reminder of what computing used to be like. The Sol-20 he was using was a pretty important machine, historically speaking.

Do you interact with other human beings on a regular basis in any way? Read this piece. It’s aimed at engineers but it’s good general advice, which I can summarize as “learn to write well.” You know how you can always find the rough spot on a floor by walking on it barefoot? People notice bad writing, spelling, and grammar even if they don’t know they notice it.

Disney ran a booth at New York Comic Con to advertise the new Guardians of the Galaxy rollercoaster, and the whole thing was an interactive roleplaying experience with a lot of levels. Disney Imagineers have been exploring this area for a while; the high end version is the Galactic Starcruiser, for example. A lesser-known version was the Legends of Frontierland experiment. It’s interesting watching them try new things.

I am currently watching the classic movie serial Les Vampires on the Criterion Channel, and I’m looking forward to rewatching Irma Vep when I’m done, and then I’m looking forward to watching the new TV show also named Irma Vep. Olivier Assayas did a great interview with the LA Times about the interplay between them all. It’s meta, and I do love me some meta.

If you like fanfic and creepypasta and meta-discourse about the nature of fandoms, you might enjoy Northern Caves.

If you like housing developments, you might enjoy reading about Corviale. One kilometer long! It was completed about a decade late for my Delta Green Years of Lead game.

More on Apple Sing

Previously…

The song coverage is more varied than I’d thought. For example, Warren Zevon’s Excitable Boy has all three levels of coverage. “Johnny Strikes Up The Band” has line-by-line lyric tracking, “Roland the Headless Thompson Gunner” has no lyric tracking, and “Werewolves of London” has syllable-by-syllable lyric tracking.

“Werewolves of London” is in the Sing: Classic Rock playlist, for what it’s worth.

It seems more and more like the process that generates a Sing-compatible track is either manual, automatic but time-consuming, or costly in terms of licensing. Otherwise surely you’d want every album with a playlist song on it to be fully enabled, to give explorers like me the sense that there’s a ton of coverage?

A Brief Exploration of Apple Not-Karaoke

I am not a karaoke aficionado, for the record; I just like singing loudly to the music of my childhood.

So I updated my Apple devices today, as one does, and with the updates came Apple Music Sing. It’s pretty cool; like it says on the tin, for songs it works with, you can turn the vocals way down and the lyric display shows you where you are in the song — down to the syllable — and you can sing along. Nice.

You do not get any cool mixing, which is a shame. You kind of want to be holding a microphone and you want your vocals to get mixed into the backing music and maybe add a little autotune? I don’t know how that stuff works but I know I’m always flat. But it’s still fun. I just lost half an hour to it.

The question on my mind, of course, was “what songs work with this?” For starters, Apple has a bunch of playlists:

They’re what you’d expect. Popular fare, nothing too weird, certainly enough to make me pretty happy.

What about your own library? Not the streaming stuff, the actual library that only weirdos who used to buy CDs have? Welp, nope, this is an Apple Music feature so it doesn’t work with your antique library, even if you have Apple Match and you’ve synced with the cloud and all. I checked a couple of Boston songs which worked when streaming but not when looking at my library. Fair enough.

What about more obscure streaming stuff? It apparently depends, but here’s something interesting: there are two classes of song that support Apple Music Sing. More popular stuff supports the syllable-by-syllable tracking of the song lyrics:

But, say, “Who Knows Where The Time Goes?” from Fairport Convention’s Unhalfbricking only goes line by line.

And coverage is spotty: Richard and Linda Thompson’s Shoot Out The Lights doesn’t support Sing, but their I Want To See The Bright Lights Tonight does. The former is licensed through Rhino and thus Warner, while the latter is by way of Universal — maybe that’s the difference? No, because Hokey Pokey is on Universal and doesn’t support Sing. So who knows?

There’s no way to tell whether or not a song supports Sing without popping it open, and you can’t tell whether it’s syllable by syllable or line by line without playing it.

All in all I like it.

Top Ten Movies (2022 Edition)

I was writing this up elsewhere and I thought it’d be worth saving here too. This particular version is prompted by the release of the 2022 Sight and Sound poll results.

  1. The Master — my favorite PTA. Is it the best? Easy to argue that one, but it’s messy and sprawling which I love, and it has my favorite actor of all time, who I still mourn.
  2. Tokyo Story — what an incredibly heart-rending movie. The sadness lies in the stillness. It is as calm as The Master is messy.
  3. In the Mood for Love — the greatest visual director of our time (I kindly assume he’ll make another movie some day) and two of the best actors I’ll ever see. Nostalgia. Coincidence. Sadness.
  4. Crash — my favorite expression of Cronenberg’s thesis statement: mankind will evolve into something else some day and we’d best be ready for it. I love the chilly violence of the Toronto highways in this.
  5. Beau Travail — not just for that final scene, although I will happily explain why Denis Lavant is remarkable for hours, just ask me, see if I won’t. If there’s a common theme to these first five movies (and there is), it’s desire. Claire Denis knows how to put desire on screen.
  6. The Third Man — I swear I didn’t notice until I was making this post, but this list can be divided into arthouse and genre, and we’re now in the genre section. For a long time Casablanca was in this slot but The Third Man replaced it for me. Vienna as a haunted house.
  7. Brazil — this is the movie that taught me there was more to life than the multiplex, and I still love it for the messy excess of it all, plus it’s about rebellion and I find that still resonates with me.
  8. The Big Sleep — yeah, the plot makes no sense, but I’m not in it for the plot. I’m in it for Bogart and Bacall and a poisonous toxic Los Angeles and the snappy dialogue. And for Dorothy Malone.
  9. City of God — did you hear about the time a couple of Brazilians took the pyrotechnic effects from The Matrix and the disjointed narrative that Tarantino didn’t invent anyhow and bent them to their whims to tell a story about their homes? It’s really good.
  10. Lawrence of Arabia — I have been lucky enough to see this in 70mm on a high quality screen three times, and if I could only ever see one movie like that again it’d probably be this one again. For my money, there has never been a better epic. Those dunes.

Holy Motors, Hiroshima Mon Amour, 8 1/2, The Bitter Tears of Petra von Kant, and Three Colors: Blue could very easily be on my top ten as well.

Notes: 2022-12-04

Sarah Polley haș some absolutely wonderful thoughts about making a movie (Women Talking) with a mostly female crew. If you’re really fretful about assigning any behaviors to genders in particular, consider it as a piece about how much value there is in challenging norms. “They crafted a budget based on 10-hour days, shot in and near Toronto, so everybody could be home for bedtime.” Can’t wait to see this one.

EA patented a technique for detecting in game cooperation by mapping out of game social connections. Well, they say collusion, but I don’t see any reason why it wouldn’t work in the general case. Back when I was playing competitive Ingress, I could sometimes figure out which agents from other regions were close by paying attention to who followed up on whose Reddit posts. Lack of in-game communication between cooperating players is also a sign of an out of game communication channel. It’s not totally surprising that this can be automated, but it’s a good reminder that privacy is tricky.

See also this Bellingcat piece on identifying the location of a far-right extremist from a single photo plus knowledge of his allies.

Back to movies! In a previous notes post I linked to a Scott Adkins interview about direct to video action movies. As a follow-up, check out this article on French action thrillers and Sara May, the Netflix exec who acquires them. This is great stuff. When people complain about a lack of mid-budget and low-budget movies? This is where some of those movies are. It’s sort of a publicity article for Lost Bullet 2 but that’s OK, cause I liked Lost Bullet a bunch.

Radley Balko, my favorite libertarian, apologizes for a decade-old puff piece on Stewart Rhodes and explains why he made the mistakes he made. Good for him.

Tom Whitwell’s 52 Things I Learned In 2022 has at least one iffy lesson (dog buttons, come on, Clever Hans has some words for you) but overall it’s a fun source of trivia and interesting notes.

We’re gonna lose so much culture… well, no, that’s not the right lesson here. We’ve already lost immense amounts of culture. When I read articles about Syrian cassette tapes vanishing or lost movies, what I should remember is that this is still better than the days when nothing could be recorded. It’s like lost languages, right? We preserve them better now than we ever did.

Covid Conclusions

Feeling mostly better other than being a bit more tired than usual. The final timeline:

  • 10/29: almost certainly my initial exposure — I was at a loud crowded event without a ton of mask usage.
  • 10/31: light symptoms.
  • 11/1: first positive test (all my tests were at home).
  • 11/2: Paxlovid course started.
  • 11/6: Paxlovid course ends; maybe a couple of negative tests in the next few days? Can’t recall.
  • 11/11: testing positive again; feeling sick but able to focus.
  • 11/13: negative test (probably because at-home tests are not 100% reliable).
  • 11/15: positive test again; able to focus well enough to deliver budget presentations.
  • 11/19: able to write code again! A surprisingly important milestone.
  • 11/23: negative test again, and this time the negative tests stuck. Haven’t tested positive since.
  • 11/27: still getting a bit tired here and there, as noted, but I feel pretty much OK otherwise.

All told that was three and a half weeks of positive tests, and I felt pretty sick during most of that. Able to focus but definitely not great. Please get vaccinated and boosted.