It's where I talk to myself. Gaming, politics, and links I don't want to forget about.
“It was Dungeons & Dragons, but I wouldn’t have owned up so quickly a few years ago. But it gave me a really strong background in imagination, storytelling, understanding how to create tone and a sense of balance. You’re creating this modular, mythic environment where people can play in it.”
— Jon Favreau, director of Iron Man
So there you go.
It’s 2020: Orlando. Walt Disney World is bigger. Universal Studios has become a true rival to the Mouse. The rulers of Miami are emerging from a brutal civil war; Tallahassee has been disturbingly quiet for over a decade. An old Prince is sleeping; a disbarred lawyer who started his political career in a nursing home watches over the city. With a Sheriff’s approval, of course.
One day, there’s a letter.
“Hey, kids. Long time no see. You guys ought to drop by Dubai; the moonlight is thrilling. Bring the ambulance driver.”
Orlando Trash 2020: Dubai Trash.
We played some Esoterrorists over at Jere’s last night, and it was awesome. I may have some more analysis-like thoughts later, but I wanted to get down some actual play stuff before it faded from memory. One of my questions going into the game was how smoothly the flow of play could work; would it be awkward getting clues? Would point spends work well? Turned out that all that can work very well. Here’s how it played out, more or less.
I have been driving Susan nuts by humming the Black Sabbath song incessantly. “I… am… Iron Man!” Which are not the actual lyrics. “Dah dah dah dah dah dah dah, dah dah dah!”
Does everyone know I put spoilers in my reviews? OK, good.
I think it’s the best acting we’ve ever seen in a superhero movie. Downey’s fussy and scared and pissed off in appropriate measure. In a way, yeah, he’s playing himself in that Tony Stark has addiction problems and a lot of money. On the other hand, Downey isn’t living a life overshadowed by the achievements of his father, with a mentor who he looks to for paternal wisdom. So there’s that.
Likewise, Jeff Bridges is good. It’s tricky to make the big fight scenes work, what with the masks and all. Bridges does this nice slow patient simmer throughout the movie, which means it’s easy to believe that the big giant suit of armor is letting out all that tension through the thrill of physical violence. You know it’s Bridges inside there not because he takes his hat off at the end, but because Bridges portrayed a character who’d get off on acting the way the suit acts.
Also good: Paltrow! Not expected. I’ve seen her turn in good performances, but it’s usually in the chilly socially superior roles, so I wasn’t expecting her to do a good job as Pepper Potts. Possibly it’s that she needs a character with a lot of reserve and a lot of pride? Either way, yep, that worked. And Terrence Howard is great as Stark’s other pal. I’ve literally never seen him before — no, I lie, I’ve seen Dead Presidents. But I don’t remember it. Anyway, he’s got kind of a thankless role, but I liked him holding down the acting fort while Tony’s jetting around with a mask on in foreign airspace.
OK, so great acting. Allow me to summarize the CGI with this: “Yep, the CGI isn’t getting in the way of the movie any more, good times.”
The script, well, I liked the dialogue. Unfortunately, I think the plot reveals that Favreau falls prey to one of the comic book movie traps; he doesn’t give the story enough weight. You kind of want to do something, even just a throwaway, to establish why Stark is willing to use the same battery for both his pacemaker and his powered armor. And it’s helpful to explain why modern surgery is unable to get shrapnel fragments out of someone, given that an electromagnet can hold ’em back from penetrating the heart. Maybe turning up the power on the magnet would help?
I think it bugs me a little in retrospect — and it didn’t bug me during the movie at all — because you can maybe work around that stuff. Tony’s obviously too busy to get surgery, and he’s a stubborn bastard, so throw that line in there. The scene with Pepper swapping out fusion generators is a great scene, but it means that Tony clearly can build multiples of the thing, so there’s no reason not to put one (or two) in each suit of armor. I’m not a screenwriter, so I won’t come up with a glib fix. It’s just a plot hole of minor importance.
None of this kept me from thinking it’s in the top echelon of superhero movies. Again: best acting. And a good script, mostly, just with those few casual flaws.
Quickie review of Forbidden Kingdom:
Two of the fight scenes are excellent, and the rest are pretty good.
I mean, you’re not seeing it for the plot, which is light. You’re seeing it because it’s the first time Jet Li and Jackie Chan have been in a movie together, and despite the fact that you’re nervous about Rob Minkoff’s directing (I mean, The Lion King?), Woo-ping Yuen is a great action choreographer.
It works out pretty well. Michael Angarano is not a completely embarassing martial arts actor; in particular, during his one extended fight scene, he does a decent job of being outclassed by the Witch of the Wolves. Everyone else is solid, of course. The Jackie Chan/Jet Li fight scene is superb and just about as good as you’d have wanted it to be, even with both of them aging.
And as far as I can tell, all the Westerners involved have a fondness for Hong Kong martial arts flicks. Nobody’s trying to dress this up or make it deep — it’s just another kung fu movie with a big premise and some time travel. Exposition is for art movies. If you don’t know who the Eight Immortals are, you can either find out on your own or live without understanding some of the references.
So I liked it, even though the South Boston accents were abysmal.
“OK, here’s the plan for the rest of the night. We’re gonna play the next song, then we’re gonna play the fake last song. Then I’m gonna introduce the other guys on the stage, with their Christian name, their nickname, possibly their Zodiac sign, their place of birth, and their surname. Then we’re gonna turn our backs to you and act like we’re off stage for a few moments. Then we’re gonna turn around, pretend to be surprised, and play some more music and then the show will end.”
As per this news. The novel is titled Anathem, and the blurb follows:
Since childhood, Raz has lived behind the walls of a 3,400-year-old monastery, a sanctuary for scientists, philosophers, and mathematicians — sealed off from the illiterate, irrational, unpredictable “saecular” world that is plagued by recurring cycles of booms and busts, world wars and climate change. Until the day that a higher power, driven by fear, decides that only these cloistered scholars have the abilities to avert an impending catastrophe. And, one by one, Raz and his cohorts are summoned forth without warning into the Unknown.
Peter Berg is directing a Dune adaptation. Well, that’s a thing. I haven’t seen any of his movies… no, wait, I saw The Rundown, which was mildly amusing. Possibly thanks to the Walken. Maybe they’ll cast Walken as De Vries, and Dwayne Johnson as Duncan Idaho, and Seann William Scott as Feyd-Rautha? Nah, I don’t like where that went either.