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Author: Bryant

Media bias

Glenn Reynolds wants to know if Hollywood is swinging conservative. He quotes one of his readers:

“At the moment it is almost impossible to imagine Hollywood producing a MASH or Catch 22 or Doctor Strangelove (Although I hasten to add Strangelove will always be in my top five movies.) It wouldn’t dare. They may still smile knowingly over their designer water at home but not in their films.”

The terrifying “they.”

In any case, someone’s suffering a severe failure of imagination, I fear. As a corrective measure, I’d recommend that Glenn and his correspondant spend a day with their DVD players. Start out with Three Kings, which is topically applicable and which came out four years ago. Move on to Hulk, for a more current movie with no fondness for the military. And just to make the situation crystal clear, pop in The Quiet American. (Which nearly didn’t get released, admittedly — but which, in the end, did.)

Monday Mashup #17: Psycho

The Monday Mashup returns with Hitchcock’s Psycho. This is another one that almost has to be a one-shot, unless you wanted to make Norman Bates an ongoing master villain — which is an interesting idea, now that I think about it. But I’m going to be thinking one-shot. There’s an insane villain, obsessed by someone who doesn’t exist anymore, and there’s a lonely location.

Now, do you cast the PCs as Marion Crane and helpless prey, or do you cast ‘em as the post-death investigators? I’m inclined to think the latter, although that turns it into a police procedural… which is in and of itself interesting.

My approach follows.

WISH 72

Happily, Game WISH is back. Today’s question:

Talk about a few characters you had to stop playing before their stories felt finished. Where do you think they would have gone?

It’s kind of a hard question, because I don’t tend to think of characters in those terms — so when I say I’d like to play Paul or Clarice more, it’s not because I think their stories were unfinished per se. It’s because I want to find out what happens next. In Paul’s case, I’d like to see him leading an adult superhero team. I’d like to find out if he can continue to be the force for good he thinks he could be. And I like playing him. In Clarice’s case, well, she’s just fun to play. I guess her story is about done; I like thinking of her hanging out in 1850 training a bunch of little genetically engineered Ascended ninjas.

That said, Cian really deserves more play and he’s the only character who I really feel missed out on a full lifespan. I had to move to Boston in the middle of that campaign, and there was a lot of prophecy around Cian. I’d really like to know what happens to him, and I don’t have any idea, which is perhaps the most irksome part.

Bulletproof

For quite some time, England has lived with the reality of IRA terrorists who would like to see various important Brits dead. London knows a lot more about living under that sort of threat than we do. That’s a simple statement of fact; 9/11 was of much larger magnitude, but England’s been dealing with this sort of thing for decades.

In all those years, they have somehow managed to keep the Prime Minister and the Queen safe without shutting down the London Underground. One wonders what sort of a cowboy is afraid of risks the Queen of England takes on a regular basis.

(Via Charlie Stross.)

Memos of doom

Because I know I’m going to want to refer to this later.

Let’s be clear on this. The reports discussed in the memo are simply the reports Doug Feith used to make the case for an imminent threat from Iraq. Doug Feith is guilty of politicizing intelligence in the worst way. He has been, in the past, cozened by Ahmed Chalabi. He was in charge of post-war planning — the same planning that has been faulty to the degree that Bush is adopting the French plan.

Feith spent his time picking and choosing the intelligence reports he wanted in order to prove his thesis, ignoring those reports which didn’t support him. Is it any surprise that a list of raw intelligence reports he compiled would “prove” him right?