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Category: Culture

Notes: 2022-11-08

Phew. No big Paxlovid bounce, thankfully.

This is what I thought of when I heard about Tesla engineers coming over to validate Twitter code. It’s both true that the author seems pretty savvy and that the culture over at Tesla is focused on velocity over anything. Good times.

Let’s get all the Twitter stuff out of the way!

  • Evelyn Douek has smart things to say about Twitter’s regulatory challenges. Not just in the US, not just in the EU — India’s going to be a huge headache.
  • This layoff guide for Twitter employees is worth reading for anyone who’s nervous about their job. Or anyone, really. Use your work laptop in a way which will enable you to execute on those precautions quickly.
  • One billion dollars in infrastructure cuts? This is already working out badly. Sympathies to the guy who just went on call for a bunch of systems he doesn’t know. Gergley has a good thread on the problems ahead. Here’s another SRE still employed by Twitter, and he thinks it’s gonna be ugly. Rakyll is a well-respected principal engineer in the reliability biz; she’s pessimistic and thinks people are leaving.
  • Tangentially related: Starlink is inevitably having to throttle bandwidth. Some math: Starlink wants $5K/month for 2 terminals with a total of 350 Mbps download. That’s cheap and cool but the existing mobile solutions can deliver bandwidth in the Gbps range.

OK, that’s enough horrified observation of the train wreck. Mastodon is treating me OK so far.

If I had to choose one word to capture the difference between engineering levels, I agree that impact is a good one. But there are a lot of different ways to have an impact. I kind of want to do career progression as a spider chart.

I like this story about enclaves and exclaves but what really caught my eye is the platform — this is apparently open to anyone to write this kind of post? In my copious spare time I wanna mess with it.

This program looks like a good entrance point to New Taiwan Cinema. I’ve seen Rebels of the Neon God and I liked it, although I’m not sure I have the right flavor of patience for this particular cinematic movement.

Notes: 2022-10-25

The format of these is likely to change, but I do need someplace besides Twitter to dump random thoughts. We’ll see how this works. Thanks are owed to my pal Ginger for demonstrating the value of this sort of thing.

If you like music, Elizabeth Nelson’s piece on Marquee Moon is a must read. It’s such a perfect album made in such weird, imperfect circumstances. I learned not too long ago that those two “pantheonic instrumentalists of the 20th century” she mentions finally united on Matthew Sweet’s great three albums of the 1990s, starting with Girlfriend. Assuming that she meant Richard Lloyd as the first. It’s also worth checking out her band, Paranoid Style, which is as one might expect from the name.

My adolescent schooling trauma, such as it is (it’s not all that), was reawakened when I learned that a Sacramento teacher was just arrested for concealing a 15 year old kid for 2 years. Apparently she teaches at some kind of Waldorf-inspired public school? The lesson here is that you just can’t trust a Waldorf teacher’s judgement. I do wonder a bit if there’s not more to the story — real problems at home? But man, just letting a kid hide out is never going to be a wise solution.

I liked this interview with Scott Adkins. It serves as an introduction to the world of direct to video action movies, which is a pretty cool world if you ask me. I don’t care so much about whether or not John Hyams is an auteur; I just dig the never-ending stream of competent action movies with good fight scenes. It’s a bit like the hey day of Hong Kong action cinema.