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Things I like about you

The director’s commentary for the Criterion edition of Traffic begins (literally) with a comment on the typeface used for the subtitles on the opening screen. Helvetica Light, because that’s what was used in All the President’s Men, for the record. How can I not love that particular bit of Soderbergh’s attention to detail?

(The transfer, by the by, is gorgeous. I really want a digital television one of these days.)

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