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Category: Culture

Fantasia 2006: All Out High

This was, I think, a metaphor for the state of sports in Boston after the first two New England Patriots Super Bowl victories. The All Out High baseball team is of course the Red Sox, doomed to never win (at least in the eyes of the city). The All Out High soccer team, successful and snooty and possessed of innumerable chicks in miniskirts, is the Patriots. The struggle of the baseball team to make the Nationals under a goofy laconic manager is the struggle of the Red Sox to make the World Series under Terry Francona.

This interpretation is perhaps assisted by the guy in the Patriots jersey I saw in the line for Ultraman Max. Not sure. Also, I’m not sure what the ending of the movie says about what I should expect from Boston sports this year. Perhaps best not to dwell on it.

And come to think of it, Terry Francona didn’t wear a mask at any point during the World Series year. Maybe he’s not that much like the All Out High manager after all. (Yes, I did get another dose of masked wrestler.)

Anyways, I’d been hoping this would be cut from the same cloth as Cutie Honey; it was. Huge high energy broad comedy. There’s a big Shaolin Soccer influence as well, mostly in the sports wirework. Can’t begrudge a sports comedy that, and it’s not as if Shaolin Soccer wasn’t heavily influenced by over the top anime.

Fun romp. I liked it immensely.

Grade: A.

Fantasia 2006: Three Mighty Men

I find most movies advertised as “so bad it’s good” don’t fulfill the latter term. Three MIghty Men was an exception. The print sucked, the music was laughable, the acting wasn’t, the fight scenes… actually, the fight scenes were kind of imaginative, but they were imaginative at about half-speed. Captain America’s actor knew some gymnastics, so we got that.

The Spider was defeated, by my count, six times. No explanation given. Not a lot of explanation of anything, really, except the reason why our heros wore masks. (“The Spider is like a child; masks send him into a rage and he will try and kill us. Also, my costume is bulletproof.”)

Grade: B as entertainment, D- as a movie.

Fantasia 2006: All Out Nine

This was, I think, a metaphor for the state of sports in Boston after the first two New England Patriots Super Bowl victories. The All Out High baseball team is of course the Red Sox, doomed to never win (at least in the eyes of the city). The All Out High soccer team, successful and snooty and possessed of innumerable chicks in miniskirts, is the Patriots. The struggle of the baseball team to make the Nationals under a goofy laconic manager is the struggle of the Red Sox to make the World Series under Terry Francona.

This interpretation is perhaps assisted by the guy in the Patriots jersey I saw in the line for Ultraman Max. Not sure. Also, I’m not sure what the ending of the movie says about what I should expect from Boston sports this year. Perhaps best not to dwell on it.

Anyways, I’d been hoping this would be cut from the same cloth as Cutie Honey; it was. Huge high energy broad comedy. There’s a big Shaolin Soccer influence as well, mostly in the sports wirework. Can’t begrudge a sports comedy that, and it’s not as if Shaolin Soccer wasn’t heavily influenced by over the top anime.

Fun romp. I liked it immensely.

Grade: A.

Fantasia 2006: Day 0

No clever titles this trip. It’s gonna be a long one.

The drive up was nice, excepting the insane Big Dig traffic in Boston. Taking 89 up through Vermont is a win from an aesthetic standpoint; it was a bit late for much of a view of the islands, but on the way back S. and I expect to be able to bask in natural beauty. Customs happened. This year, our maps were accurate and we found our Montreal domicile without trouble.

Said domicile — well, 210 square feet is 210 square feet. Clearly, the owner took an apartment that covered the entire first floor and chopped it into three apartments for short term rental. The flaw is a lack of apparent air conditioning and no windows; it’s substantially hotter in the apartment than it is outside. Also, I have not yet figured out their wireless. So it goes. [Update: wireless!]

We’re three subway stops away from Guy-Concordia and the venues. Tim Horton’s makes good coffee. Right now — 11:20 AM — I’m waiting for the box office to open up so I can horrify the nice young lady by asking her to print out 64 tickets. Eventually they’re going to figure out a better system for this.

Weekend One

Really, the festival is pretty much what I’m thinking about right now. The links here go to IMDB, rather than the Fantasia site (like the ones in the last post).

Saturday

Three Mighty Men: bad Turkish 70s flicks are really hot on the festival circuit right now, and I kinda wish I was kidding, but I kinda don’t because if I was kidding I wouldn’t have the chance to see this one. This is also the only movie I’ll see at this year’s festival with a masked wrestler, unless someone else holds a surprise for me.

All-Out Nine: Field of Nightmares (no IMDB page): come to think of it, I’m probably stoked about this because I liked Cutie Honey so much; I’m hoping we get another mega-enthused translation of manga to film. And, OK, as a sports fan I can’t but be intrigued by the subject it parodies. Japanese Bad News Bears, right?

Hell: I’m really curious to see if Thai film’s changed much in two years. As devoted readers will recall, Saving Private Tootsie and The Bodyguard did not me overwhelm in 2004. Also, grand guignol is fun.

Shinobi: big gloss. Action. The trailer is pretty awesome. Tak Sakaguchi, who rocked my world in Versus and who did action direction in Death Trance which I really gotta see, is in it. So yes.

Arthouse Ultraman (no IMDB): Double Miike! Doing television! Ultraman! Sure!

Sunday

Vampire Cop Ricky (no IMDB): I’m pretty much all about the Korean SFX action slash sex farce horror flicks, sure.

Samurai Commando 1549: more widescreen Japanese action! I’m either gonna be really burnt out on the stuff or very happy by the end of the weekend. This doesn’t have a pedigree that turns me on, but I like the premise, so why not?

Train Man: OK, this just seems really sweet and cool and touching. And maybe a true story! So it’ll be a good breather from the action and the horror and so on.

Junk: Fantasia’s doing a lot of Russian films this year — it’s a focus — and that seems like a good thing to take advantage of. The story is not wacky or weird or anything, which makes this a good chance to see how a different culture works with the basic tropes of suspense.

It'll be like this

It looks like this:

Three Mighty Men
All-Out Nine: Field of Nightmares
Hell
Shinobi
Arthouse Ultraman
Vampire Cop Ricky
Samurai Commando 1549
Train Man
Junk
Wilderness
Red Shoes
Isolation
Synesthesia
The Gravedancers
The Kovak Box
Storm
Pusher 3
The Echo
Subject Two
The Descendant
Reincarnation
DJ XL5 Zappin’ Party Cavalcade
Ressonances
Evil Aliens
The Order of One
Five Deadly Venoms
Aziris Nuna
The Great Yokai War
Executive Koala
Arcanum
My Dead Girlfriend
Kebab Connection

Commentary perhaps later.

The lineup, please

It looks like this:
Three Mighty Men
All-Out Nine: Field of Nightmares
Hell
Shinobi
Arthouse Ultraman
Vampire Cop Ricky
Samurai Commando 1549
Train Man
Junk
Wilderness
Red Shoes
Isolation
Synesthesia
The Gravedancers
The Kovak Box
Storm
Pusher 3
The Echo
Subject Two
The Descendant
Reincarnation
DJ XL5 Zappin’ Party Cavalcade
Ressonances
Evil Aliens
The Order of One
Five Deadly Venoms
Aziris Nuna
The Great Yokai War
Executive Koala
Arcanum
My Dead Girlfriend
Kebab Connection

Smooch & kill

Shane Black wrote Lethal Weapon, The Last Boy Scout, Last Action Hero, and The Long Kiss Goodnight. That’s a pretty good pedigree. Kiss Kiss Bang Bang is his first directorial effort, and it’s sorta Last Action Hero as an semi-indie crime flick. (Warner Brothers distributed it, so not really indie, but you know.)

It’s packed precisely full enough with metasnark. Any more snarkiness, and the schtick would be tiresome. Any less snark, and we might notice that the plot is about as thin as they get. (Which, in all fairness, is no doubt intentional — the whole movie is a deliberate self-referential homage to bad pulp detective novels.) The meta, the breaking of the fourth wall, works because it serves characterization: Robert Downey Jr.’s voice over is not constantly present, and it’s a device to bring his personality to the forefront, so that’s all right.

It’s also more homage, referring back to the Mike Hammer first-person narrative style. Our fictional pulp detective is Johnny Gossamer, which one might well see as the opposite of Mike Hammer, now that I think on it.

I can’t say much about the acting because — well, I suppose I can. Robert Downey, Jr., Val Kilmer, and Michelle Monaghan nailed their roles, delivered the dialogue with panache, and didn’t try and take over the movie. Which is good, cause the screenplay was the real hero, unsurprisingly. If I had to pick a standout, it’d be Val Kilmer, who bulked up and chewed his way through his role nicely. But they were all good. Oh, and a special bonus point to Corbin Bernsen for reprising his real life as a TV actor. S. pointed out that the movie clip in which a young Corbin Bernsen appears is no doubt an actual clip from an actual Bernsen TV movie, although nobody on IMDB has figured out which one.

My big quibble is that Shane Black made some very odd tonal choices. You’re cruising along with a black comedy, and then all of the sudden it veers into seriously dark not-funny stuff. I couldn’t figure out if he thought the seriously dark stuff was funny, or if he thought he had to ground the movie from time to time, but either way? No. It’s OK to do froth even if it’s your cred-restoring comeback flick. Maybe next time.

And in general, totally worthwhile.